obstinatecondolement: Deanna Troi from Star Trek: The Next Generation shown from the shoulders up, standing in front of a painting of a planet (Default)

Challenge #13

Make a rec list! Post your answer to today’s challenge in your own space and leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.

I think I've mainly recced fics for this challenge, or similar ones, in the past, and I remember regretting not reccing any vids, so I am here now to remedy my past self's oversight there. In no particular order, here are ten vids that I give my strongest possible endorsement to. There are content warnings for several of them that are listed in the AO3 works themselves that I have linked here, but, all other things being equal, I would absolutely recommend that you watch all of them whether you are familiar with the canons in question or not.

Fun, Fun, Fun by [archiveofourown.org profile] cosmic_llin

Fandom: Lower Decks (Beckett Mariner character study vid)
Song: Fun, Fun, Fun by the Beach Boys

This is a Beckett Mariner vid about her relationship to responsibility that [personal profile] cosmic_llin gifted me for [community profile] festivids last year. Full disclosure, many of the vids on this lists were gifts to me, and of those four were gifts I specifically got for Festivids 2022/2023, because it was an absolute banner year for me in terms of both the quantity and quality of vids that were so kindly gifted to me.

It's such a gorgeous, joyous vid that captures so much of what I love about Lower Decks in general and Mariner in particular. It's funny, irreverant, fond, and never afraid to be silly. Llin did a wonderful job with creating a strong narrative in this too about Beckett's relationship with her captain (who is also her mother) and fitting into the structure of Starfleet's hierarchy as an anarchic free spirit who will become a square peg to avoid fitting into round holes out of pique. I love her so, so much.

Get This Podcast Started by [archiveofourown.org profile] findmeinthealps

Fandom: Only Murders in the Building (Mabel Mora & Oliver Putnam & Charles Hayden-Savage ensemble vid)
Song: Get the Party Started by P!nk

This is another vid that was gifted to me last year for [community profile] festivids and was, I think, the first one of the vids I received that I watch post-reveals. It's an ensemble vid and an absolute non-stop riot. Alps is an amazing vidder and, like everyone I've recced here, I could honestly have a rec list of just their work, but to keep things trim I'm limiting myself to this one as an introduction to their oeuvre.

I love humour in vids so much and I think that ironic pairings of clips and lyrics can be so effective, which this vid just absolutely nails. It's also visually such a treat and marries the visuals and the music in such a satisfying way, with so many satisfying little moments that land on exactly the write musical cue, and the editing is as smooth as butter. If you're not familiar with the fandom, I also think it's a great sales pitch for it and what makes it so fun, as it centres on the central trio from the show and their various amateur (and amateurish) murder investigations

Be Okay by [archiveofourown.org profile] cosmic_llin

Fandom: A League of Their Own (2022) (Shirley Cohen character study vid)
Song: Be OK by Ingrid Michaelson

And now for something completely different! This Shirley Cohen vid was another gift that the lovely [personal profile] cosmic_llin made for me for [community profile] festivids last year and it was the second vid I watched. Even hot on the heels of the giddy fun of Get This Podcast Started, I welled up watching this within like a minute. I also cried again rewatching it when I was putting this list together and it hit me every bit as hard.

Llin is the only person who got two vids on the list, but I hope my naked partisanship can be excused here because I think that including both of the vids I've recommended here show her range really well. She's, of course, not unique in being able to nail more than one tone, but she pipped everyone else to the post by giving me two lovely vids last year and I wanted to include all my [community profile] festivids 2022 gifts, haha.

Content warning: discussion of OCD, homophobia and medical abuse

Shirley can be a polarising character, or at least certainly was when the show came out, and in a show that centred and celebrated queerness so much, a character who struggled with homophobia—which, in my reading of her (and I think this is a pretty surface level take, honestly) is a manifestation of her OCD and her obsessions about contamination, and I cannot despite a mentally ill young woman from the 1940s with a "masculine" interest and talent who was terrified of being gay, because it would mean she would "have" to be lobotomised. Shirley also faces the things that terrify her so she can disprove her own fears out of love of her queer friends. I think that honest and compassionate represtations of the less "relatable" and sympathetic manifestations of mental illness, in particular with stuff like OCD, is so important and this vid was just so, so pitch perfect in how it handled its subject matter.

There is a lot of repetition in the song's lyrics and the vid uses this to its advantage by using repeated refrains, in particular, "I just wanna be okay, be okay, be okay" to edit montages of visually similar clips together, often showing Shirley repeating the same compulsive rituals and movements in different scenes. This is so effective and really helps to centre Shirley's point of view and anxieties really solidly at the heart of the vid. And, having established this motif, then transitions away from it in the last section, and instead shows several different instances of Shirley being happy and joyful with her teammates in very visually different scenes over the refrain.

Tubthumping by [archiveofourown.org profile] usuallyhats

Fandom: Dungeons & Dragons: Honor Among Thieves (ensemble vid)
Song: Tumbthumping by Chumbawamba

The summary on AO3 for this vid is:

"If the existing plan fails, I make a new plan."
"So you make plans that fail."
"No!"

and... accurate. So, so accurate. I love each and every vid I've ever seen set to Tubthumping, but, truly, I am quite convinced by this one that Chumbawamba had D&D: Honor Among Thieves (2023) in the front of their minds when they were writing this back in 1997.

This is an ensemble vid and it is non-stop laugh a minute fun, very much in keeping with the tone of the movie. I saw this in the room when it premiered in [community profile] vidukon_cardiff last year, and it was a huge crowd pleaser. If you are a fan of plans ganging agley and people getting knocked down and getting up again, I cannot recommend this vid highly enough.

I won't spoil it for you, but the choice of clips for the "Oh, Danny boy, Danny boy, Danny boy" section makes me almost cry laughing no matter how many times I see it.

Pray Be Silent, and Join Me in a Dance by [archiveofourown.org profile] theletterelle

Fandom: Pride and Prejudice (1995) (Elizabeth Bennet/Fitzwilliam Darcy)
Song Shut Up and Dance by Walk the Moon, covered by Eric Wuest

Using this instrumental cover of Shut Up and Dance on strings was such an inspired choice for this vid and I am stunned to this day by how effective it is. There are several parts cutting to musicians at the various dances and balls featured in the vid and I find it very immersive. And fun!

'Shut Up and Dance' is also just such a fantastic song choice as-is for a P&P vid, given how much of the stop and start development of Lizzie and Darcy's relationship and their mutual fascination in each other, in all its cautiously spiky glory, involves dancing together and using this almost neoclassical arrangement of it just elevates the vid even further.

I Can Cook Too by [archiveofourown.org profile] Tafadhali

Fandom: Big Eden (Pike Dexter/Henry Hart)
Song: "I Can Cook Too" from On the Town, performed by Alysha Umphress

The last of the recs from my wonderful pile of the Festivids gifts I got last year! This is such a charming and fond little vid for a charming little movie I am so hopelessly fond of. It is just under a minute long, but feels exactly the length that it needs to be.

It centres Pike, the sweet, shy love interest of Big Eden, and his understated, modest courtship of Henry through cooking for him and does such a good job of showcasing Pike as the unqualified dreamboat that he is. Very sweet, very swoony: both the character and the vid.

I Want You to Want Me by [archiveofourown.org profile] hartknyx

Fandom: Much Ado About Nothing (1993) (Beatrice/Benedick, Claudio/Hero)
Song: I Want You to Want Me by Cheap Trick, covered by Letters to Cleo

Well, the last vid in the list was the last of my Festivid gifts from last year, but this vid is one that I got in Festivids 2020/2021, haha.

I will always hold the Kenneth Branagh adaptation of Much Ado very near and dear to my heart and I was unspeakably thrilled to be gifted this vid by [archiveofourown.org profile] hartknyx. It encapsulates everything I love about this adaptation so perfectly and it's so fun and makes such wonderful use of the physical comedy and delightful facial expressions and acting choices in the film. It's also really effective in how it shows Claudio's deep and profound regret over wronging Hero. I did watch this film very young, so maybe I was softer on Claudio then than I would be on a first viewing now, but I do think that Robert Sean Leonard is one of the more redeemed-in-my-eyes Claudio and I think this section of the vid shows why very well.

It was also such a fun choice to use a song from the 10 Things I Hate About You soundtrack for a vid to another film adaptation of a Shakespearean play! And, as I said at the time, even though there are a lot of repeated refrains in the lyrics, the vid never for one second feels anything but fresh and lively in how it rattles along. It also, as with the P&P vid, uses diegetic elements like showing a character playing a drum over the drum solo section that really, really work and marry the song to the visuals beautifully. Ten thousand out of ten stars, no notes.

Notice Me by [archiveofourown.org profile] lilly_the_kid

Fandom: Cobra Kai (Daniel LaRusso/Johnny Lawrence)
Song: Notice Me by Alexa Ray Joel

It does not matter how many times I see this vid, I fall in love with it again every time. It's so wonderfully adolescent and dumb in its portrayal of these fifty-something-year-old guys who re-light the flame of their teenage karate rivalry with each other almost four decades after the fact and become, once again, completely absorbed by thoughts of each other. Don't pretend you don't see me, baby!

This is just an all time favourite feel good vid for me and I love it to distraction.

Parachute by [archiveofourown.org profile] thingswithwings

Fandom: Leverage (Alec Hardison/Parker/Eliot Spencer)
Song: Parachute by Ingrid Michaelson

I almost cut this from my shortlist a few times, not because it is not phenomenal, but because I wondered whether there was anyone left in fandom who was not already well acquainted with its majesty. This is an absolute classic fanvid that everyone I know who I've mentioned it to, even if they're aren't into Leverage, even if they aren't into vids, has seen and was stunned by. But it will no doubt be new to some of you, so it would be a crime not to include it, and not the fun and morally-just kind of crime.

Parachute is such a wonderfully dynamic and active vid, both in terms of its use of movement through the visuals and its overall narrative arc and how each section flows into the next and progresses the central theme of the vid.

There is this wonderful bit near the start that transitions a section about Hardison and Parker's relationship into including Eliot and his relationships to both of them, where it cuts from Parker and Hardison jumping off a bridge onto a moving train, to Eliot landing in the middle of a brawl in a warehouse. The editing is utterly sublime and it's such a rewarding vid to watch closely every time I go back to it.

Batter Up! by [archiveofourown.org profile] videobaths

Fandom: Succession (Gerri Kellman character study, Gerri/Roman)
Song: Swing! by Ellie Dixon

Gerri alert! And, I mean, okay, do I think Gerri Kellman effectively utilised girl power by funneling money to cover up the worst abuses that occured under Logan Roy's leadership? No, and if she was real I would not be remotely sympathetic to the misogyny she faces as a cog in the machine of late stage capitalism and serving the interests of the richest people in the world. But also... she is a fictional character and she is baby girl and I love her very much and everyone who has ever patronised or overlooked her at WayStar or thrown her under the bus as a scapegoat should be publicly executed for crimes against Blorbo.

This wonderful vid was gifted to me by [archiveofourown.org profile] videobaths for the [community profile] womansplace exchange in 2023 (which I feel very bad about defaulting from and which I hope comes back this year so I can have another crack at it).

The pacing is so effective in this, both in how it builds the momentum of the vid from an excitement per second perspective and also in how it captures the fast pace of the world Gerri operates in and how sink or swim it is to survive in the waters she has been a shark in for decades. It is not constant go, go, go though and has great peaks and valleys in how it handles the pace and the length of each clip to reflect tone in the song.

The lyrics are also just... such a perfect fit for this vid "thought I left the oven on, 'cos your such a gaslight" and "if you're gonna play these games, I'll join in" are just so perfect for Gerri and the narrative thrust of this vid in particular.

The Gerri/Roman shippy sections are also just such an unparalled delight and it is always so fun seeing how actively she chose the awful series of decisions that led to their thing and how into it she is. "Now I'm lucid" oh, girl, are you? But I'm glad you had fun, you deserve it. Not... many of the other particulars that this particular relationship involved, but you deserved the fun part of a thrillingly terrible idea like getting involved with Roman Roy in the manner in which you did.

I pretty much rewatch this vid three times through every time I go back to it because it's so exciting, and it never, ever gets old.

obstinatecondolement: Deanna Troi from Star Trek: The Next Generation shown from the shoulders up, standing in front of a painting of a planet (Default)

Challenge #12

Tell Us about a Personal Win.

Share whatever wins you’re comfortable with telling us all about. Found a new fandom that makes you light up? One of your creations has earned more kudos than you dreamed of? Wins from life, new job, new school, new adventure? You have a couple of wins you want to celebrate, we want to hear about them. Share a win or two so we can cheer for you.

Post your answer to today’s challenge in your own space and leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.

Yesterday, another Porridge fan who is trying to make fetch happen with getting a transformative Porridge fandom going, reached out to me on Tumblr and linked me to a fic they wrote! The fic is called "a certain type of man" and the author who reached out to me is [archiveofourown.org profile] Ebenelephant. The basic premise is that Lennie Godber, one of the show's two leads, comes out to Lukewarm, a canonically gay secondary character, as bisexual. It's really well written, beautifully in-character and evocative of the show in the dialogue. It's very nice to read something with gen with a queer reading of a canon character, as well as something that features a more minor character. While I'm still very deadset on writing whatever I want, whether anyone cares to read it or not, it's nice to not have to make all my own fun in a small fandom in the Yuletide off-season and it's great to meet someone to talk to about the show and the characters.

Since I've mentioned stuff I've been writing though...

Challenge #8

Talk about a current fannish project (fic, art, vid, crochet, funko pop village) (that you are creating or enjoying)

Post your answer to today’s challenge in your own space and leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.

As well as various other WIPs I have bubbling away in the background, I am writing another Porridge fic at the moment that has been on the cusp of completion for a few days now, once I can muster up the willpower to knock the sex scene out of the way. I'm not shy about it, or anything, or in any way reluctant to imagine Ronnie Barker getting a good seeing to, but I often find smut kind of a grind to write and I get bored by it easily. I have been reassured by friends that this doesn't translate to the finished product, which still gets the job done, but, having been actively writing fic for about fifteen years at this point, it does just feel pretty staid and routine from behind the scenes, haha.

At any rate, I'm quite happy with how it's working out. It amused me that [archiveofourown.org profile] Ebenelephant had a bit in their fic where Godber mentions David Bowie in relation to bisexuality, because I did that too, haha. The parallel thinking there certainly not at all improbable, given we're in the 1970s here and Bowie is a very relevant cultural reference in discussions of bisexuality in that period, but it's nice that there are now enough of us in the mix that parallel thinking is occuring.

It was my hope to post a link to this still in-progress fic for my response to challenge #11, but it's not quite there yet, so in the mean time:

Challenge #10

Five Things! The five things are totally up to you. Post your answer to today’s challenge in your own space and leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.

In no particular order, here's five of my favourite things about Porridge:

  • Ronnie Barker's portrayal of Fletch is just so charming and funny and devastatingly relatable to me personally. He's funny, he's quippy, he's very keen to see if everyone's noticed his funny quips, he's a 'failure' by many conventionally understood metrics of fitting into mainstream society and is defiantly unashamed of it.
  • While it is very punny and gag-heavy, the dialogue is very naturalistic in its delivery and the vernacular it's written in, which feels very lived-in and realistic in a way that more contemporary media with a similar quip-per-minute rate don't to me.
  • While there are certainly aspects of the show that haven't aged great, in my subjective opinion it is a lot less uneasy viewing in terms of bigoted humour compared with a lot of its contemporaries and, even though it has unquestionably racist and homophobic aspects, its portrayal of McLaren, a Black character, and Lukewarm, a gay character, are overall sympathetic and I find them well-rounded and well integrated into the ensemble cast.
  • For a show that has been criticised for sanitising the image of British prisons at a time when they were rife with abuse, it is refreshingly cynical about the criminal justice system and the inequalities that it enforces and perpetuates.
  • Okay, fine, Richard Beckinsale is very pretty and I like to think about him trying his absolute best to shag Ronnie Barker, what do you want from me? I'm not made of stone.
    Ronnie Barker and Richard Beckinsale as Norman Stanley Fletcher and Lennie Godber

That's all for now! Hopefully I can circle back on #11 soon with a link to my new hyperniche fic with whatever the opposite of broad appeal is, haha.

Snowflake Challenge promotional banner with image of a cabin in a snowy wood. Text: Snowflake Challenge January 1-31.

obstinatecondolement: (I hope this doesn't awaken anything in m)

Challenge #9

Rec Us Your Newest Thing. Post your answer to today’s challenge in your own space and leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.

Content warning: Discussion of prison, abuse of prisoners, sexual assault, IRA hunger strikes, homophobia (including internalised homophobia), queerness being closeted/repressed, racism, and systemic injustic (especially classism).

This is, um, about a lighthearted sitcom, lol. Oh, which one?

Porridge

Click to expand

Intro

So my 'new' thing is not really new, either to me or in general, but I have been revisiting the 1970s British sitcom Porridge recently and, having had a lovely windfall of Yuletide gifts and written a couple of my own fics, am now absolutely in its thrall with no clear endpoint in sight. The show is generally remembered fondly by people in the UK and Ireland (and, I think, some other Anglophone countries) who are of an age to have seen it, but there is not much of a transformative fandom presence per se, which, of course, means that I have to do my level best to drag a few of you, who it may or may not be new to, down with me 😉

Porridge stars the late Ronnie Barker in the lead role of Norman Stanley Fletcher, a small-time career criminal who has been sent to serve a five year prison sentence in Slade Prison. This is far from his first time on the inside and, as an old hand, he takes the other lead, Lennie Godber, a young first-offender from Birmingham, played by the late Richard Beckinsale (father of Kate and Samantha Beckinsale), under his wing. Fletch and Godber are cellmates for most of the show, despite Fletch's attempts to finagle a single cell, and many of the scenes are set in their cell and mostly, or only, feature them.

Click for more background on the show

Other characters include:

  • Mr Barrowclough, an easily taken advantage of and ineffectual prison officer.
  • Mr McKay, a more punitive and harsh prison officer.
  • Mr Venables, Slade prison's governor, a tropical fish enthusiast who likes to think of himself as enlightened in his approach, a belief which may or may not be justified.
  • Lukewarm, an affable gay trusty* who knits and lends his dubious cooking skills to the prison kitchen. Jokes are often made about his sexuality, but they are generally not meanspirited, especially when compared with other casually homophobic jokes and language in the show, but this is something to be aware of.
  • Jim "Jock" McLaren, played by a young Tony Osoba, a cagey prisoner who hasn't had many breaks other than the fractured bones he's inflicted on others, but who is generally on good terms with Fletch and Godber and who, under his defensiveness, is pretty easy going. Just to flag this as a 'buyer beware' thing, there are a number of jokes made about McLaren's ethnicity, nationality, and race (his is Black and Scottish, his biological parents being a West Indian woman and a white Scottish man, although he did not grow up with either of them and was "found wrapped up in a copy of the Glasgow Herald in a Greenock housing estate" and grew up in an orphange) which would not fly today and shouldn't have then, as well as outdated terminology that is not (usually) intended offensively, but which is by almost universal consensus considered racist today. Although some of the homophobic language in the show is, arguably, harsher, as they were used as slurs then as well as now, I think the racism in Porridge, both in its treatment of McLaren and in other incidental dialogue, is more overt and harsh than the homophobia.
  • "Bunny" Warren, a prisoner who often goes in on schemes with Fletch and who gets him to read his letters from his wife for cigarettes, since he himself is illiterate.
  • "Genial" Harry Grout, a prisoner who the rest of Slade, inmates and staff alike, lives in terror of and has fingers in many pies relating to blackmarket goods and gambling.
  • Ives, a horrible little man and frequent antagonist who, among other offenses, commits the cardinal sin of stealing from other prisoners.
  • Cyril Heslop, a prisoner who came in with Godber and Fletch who is slow and thoughtful, but not one of nature's great intellectuals, and often several steps behind in a conversation when he chimes in with a contribution.
  • Blanco Webb, a 63 year old prisoner serving a long sentence who is old before his time and who Fletch is very caring toward and reserves most of his sarcasm from.
  • Harris, another horrible little man along similar lines to Ives. As far as I know, the same actor played an almost identical character "Norris" in one of the other episodes, but I may be conflating two different actors.
  • Ingrid Fletcher, Fletch's daughter, who he conceived out of wedlock in Highgate Cemetary on the grave of Karl Marx (he was going through a political phase, and it was as handy a place as any). Ingrid is friendly and cheerful, but a little flakey.

Most of the plots involve harebrained schemes that go awry, like an underground high-stakes game of snakes and ladders, or a pineapple chunks heist. It is very silly and, while aspects of the humour are now dated, a lot of it stands up and I enjoy it a lot. Something I really like about it is that Fletch often repeats jokes in a nudge-nudge-did-you-get-it way, or looks around to see if people are laughing at them, which feels very true to his character, who is very prone to off-the-cuff wordplay and holding forth, and not a little show offish about it. He's very charming and funny and well-spoken, albeit in a way that includes frequent malapropisms, and he clearly bases a lot of his self-esteem on being seen as such. Also, being funny and irreverent is a large part of how he keeps the bastards from grinding him down.

Aside from the aspects of the show that have not aged well that I mentioned above, I really love the humour of the show and I find it very charming. As well as the wacky sitcom shenanigans, the dialogue has a lot of punning and wordplay, largely from Fletch, and the way Barker performs Fletch is extremely winning. A lot of the time he'll repeat jokes in a nudge-nudge-get-it way, or look around to see if people have reacted to a witticism, and I find that just such a lovely and real layer of characterisation. Fletch is rarely serious, often joking, loves playing with language and often holds forth, all of which he is pretty vain and show-offish about and it's clear that being thought of as funny and well-spoken or clever is a big part of his self-image. His irreverance is also a big part of what keeps him sane and stops the bastards from grinding him down, because, while the show is mostly a light hearted take on incarceration that does not really square with the realities of British prisons in the 1970s, at the height of IRA hunger-strikes and at a time rife with human rights violations of prisoners, it is not entirely rosy and uncynical or uncritical about the criminal justice system and prison. There are a lot of elements that focus on how class and marginalisation plays into who ends up in prison and the show is very much on the side of most of the prisoners in Slade over the system that put them in there even if they are as cheerfully unrepentent as Fletcher, although some crimes are framed less sympathetically than theft, notably white collar crime.

*A trusty is a prisoner with special responsibilities and privileges. Also, per the Wikipedia page on the prison trusty system, apparently trusty rather than trustee is the standard spelling, so the more you know, I guess.
[return to where you left off.]

The show has three series and two Christmas specials, two spin-offs—Going Straight, which follows Fletch immediately after he's released from Slade, and a reboot from 2016 where his grandson is the lead, which I have not seen and don't really intent to—a semi-canonical movie from 1979, and a once-off mockumentary set in-universe—Life Beyond the Box: Norman Stanley Fletcher—which came out in 2003.

My crackpot shippy slant on the dynamic between the leads, which is actually very reasonable, how dare you, I don't have to stand here and be insulted like this

Click to expand

Godber: I'm fed up with crime. I wanna go straight.
Fletch: How old are you, son?
Godber: Twenty-three.
Fletch: Twenty-three and you wanna go straight? What kind of talk is that, eh? You've got your whole life ahead of you!

So, yeah, I ship Fletch and Godber, because of course I do. Here is a graphic I made and posted on Tumblr in 2023 when I started rewatching the show:

A collage of featuring several images of the characters Norman Stanley Fletcher and Lennie Godber from the sitcom Porridge, which have been edited to look like Polaroids and superimposed over a background image of exterior of the fictional Slade Prison as seen in the show's opening credits. There are miscellanious hearts and arrows edited onto the image and it is captioned 'Back on my bullshit, 2023' with a smaller caption reading, '*at least I'm having fun, okay?'

This is not a recent development or a revelation I've only had upon rewatching the show, because I also shipped them a LOT when I saw the show first as a teenager. It was, however, extremely arresting (aha) to revisit it and be hit by the shippiness anew. Given my much-touted love of roguish con-men and crooks, and shipping them with wide-eyed younger men who adore them, this is extremely on-brand behaviour from me, to the point where a friend, after I told her that I was rewatching Porridge and having a great time sexualising Ronnie Barker through the proxy of Richard Beckinsale, said, "That makes total sense as a ship for you." A statement which remains the funniest way I have ever been called out in my entire life.

However! In my own defence, I don't think this is shipping goggles forcing a romantic dynamic that may not exist onto two characters who tick enough boxes for me that I'd like to imagine them kissing. I mean it's not not that, but it's not just that. There is, of course, Godber's general open admiration, sometimes almost to the point of awe, of Fletcher, and Fletch's protectiveness over Godber, and their little domestic squabbles and stuff like Godber darning Fletch's socks and nicking tins of pineapple chunks for him at great personal risk, but the first thing that piqued my interest came from their first scene together.

Godber: Know all the form, don't ya? You been here before?
Fletch: No, never been here. But it’s all the same; porridge is porridge innit?
Godber: First time for me. Don't know how I'll get through.
Fletch: Oh, cheer up, could be worse. State this country's in, you could be free, couldn't you? Stuck outside with no work and a crumbling economy. How horrible that would be. Nothing to do but go to bed early and increase the population.
Godber: Won't be doing that for a while.
Fletch: No, that's true, hmm. No, I shouldn't have said that, it's a tasteless joke, innit?
Godber, with an expression like butter wouldn't melt in his mouth: I'm gonna feel ever so deprived.

Like??? I cannot overstate how easy it is to read a lot of scenes in the first few episodes as Godber trying desperately to signal in every way that he can think of that he's up for it to this older, more experienced man who's done time before and has taken him under his wing. Tragically, Fletch doesn't pick up on these hints. I imagine that he hasn't quite got it right yet, per this quote from the pilot:

Godber: Hey, Fletcher, what does he mean by 'practising homosexual?'
Fletch: One who ain’t quite got it right yet.

Ah well, better blatant than latent, but better latent than never, eh? And, like, again, I feel like it is an extremely small stretch to read Fletch, a man who has spent most of his married life in prison and who got married very young to his also-very-young girlfriend after an unplanned pregnancy, as someone who is gay and just hasn't spent enough time outside prison to reflect much on not being that interested in women sexually/romantically.

Fletch, talking to the hens in the prison farm as he steals eggs: Now then, girls. This is what's known as one of the perks of the job. Now, with these eggs I'm smuggling in 'ere, I can get meself a quarter ounce of shag, or two tubes of toothpaste, or... three bars of Fruit 'N Nut! Or I could take them down to E-wing and see Smutty Garland, the king of the porn, exchange 'em for two of his dirty books, yeah, full of full-frontal naked nubiles...
Fletch: I think I'd rather have the Fruit 'N Nut meself.

He also says at various points that 'carnal thoughts' are a bad idea in prison and you should try your absolute best to suppress them—although he also plasters the cell with pictures of topless Page 3 girls, so he's not entirely consistent here, at least on a surface level reading where you do not assume that this choice of decor is performative. I am, however, equally open to readings of him as not gay but otherwise queer and attracted to men, but deeply repressed about it, perhaps in part because of having spent so much time in prison, where there is a lot of homophobic violence and sexual assault, which queer prisoners are disproportionately the victims of. Fletcher himself expresses a lot of casual homophobia, often in the form of jokes about sexual assault, which could just be read at face value as bad-taste homophobic jokes, but could also take on a more sinister undertone if you scratch the surface of it, particularly since Fletch's primary coping mechanism is humour.

Fletch is pretty fond of Lukewarm, who is gay and out, and textually treats Lukewarm's boyfriend on the outside, Trevor, and their relationship as basically equivalent to other prisoners' relationships with their wives, with the only caveat that Trevor also has to worry about Lukewarm having wandering eyes while they're apart, so I don't think he's a unilateral bigot. I do absolutely think he needs some practice to get the hang of one or two things though. As it were.

Where you can watch it

Click to expand

There are some different options to rent or buy various parts of the canon as well as a few streaming services that have it available in certain regions. What I've been able to find online are the following:

  • Porridge S1-3 (TV 1974):
    • DVD
    • Britbox
    • BBC iPlayer
    • Prime
    • Apple TV
  • The Christmas specials:
    • No Way Out:
      • DVD
      • Britbox
      • Apple TV
    • The Desperate Hours:
      • DVD
      • Britbox
      • Apple TV
  • Going Straight (TV 1978):
  • Porridge (Movie 1979):
  • Life Beyond the Box: Norman Stanley Fletcher (TV 2003):

I also think there were some episodes released on VHS at some point, if you have a VCR. I don't think any part of the canon has been released on BluRay, and as far as I know the 2003 mockumentary is only availabe online on YouTube. It doesn't seem to be on the iPlayer anymore and I don't think it ever got a physical release.

The digital options above may or may not be available in your region and there may be others that I am unaware of.

In terms of the DVDs, you can buy the individual series/seasons by themselves, or in one of a few different boxsets (one with S1-3, one with S1-3 plus the Christmas specials, a few miscellaneous Ronnie Barker DVD boxsets that have some of his other work), but something to bear in mind is the DVDs I've seen online seem to all be Region 2 or Region 4. If you are not in those regions, and you don't have a multiregion DVD player, VLC can usually play DVDs regardless of region if you plug a USB DVD player into a computer in my experience, but I think it depends on the drivers in your DVD player. It may be possible to change the region of your DVD player (although sometimes you can only do this a fixed number of times before it gets locked to one region) or install firmware from the internet that will allow it to play DVDs from any region, or you might also be able to use one of a variety of programs online, such as HandBrake, to rip a region-locked DVD (sometimes with some workarounds if it is not working in a straightforward way, but there are how-to guides that I can put you in the way of it you would like).

For what it's worth though, in my experience a USB DVD drive and VLC will play any DVD I throw at it, which I think is the case for most USB DVD drives and laptop DVD drives, and I've never tried to rip a DVD and then been prevented by region, regardless of the software I used (and I have tried a few), but your mileage may vary and there is a chance you might buy something that you can't play, or can't play without voiding your DVD players warranty or wandering into what you may consider to be legally grey areas (although I believe that ripping DVDs you bought legally for private use is legal in most juridications, which, again, is just my impression and may be wrong). They generally seem to be going fairly cheaply though, so it could be a relatively inexpensive gamble to pick up a single Region 2 DVD to test it out if you felt up for it.

There may be other more dubiously legal methods of seeing Porridge, or its various spin-offs and extended canon, but this is just an observation and not a recommendation, and I certainly would not advise anyone to send me a message asking me to make MP4s from DVDs that I've bought and ripped available to them.

As ever, please let me know if any of the links are broken and I'll fix them

Snowflake Challenge promotional banner with image of snow-covered trees and an old barn in the background. Text: Snowflake Challenge January 1-31.

obstinatecondolement: Deanna Troi from Star Trek: The Next Generation shown from the shoulders up, standing in front of a painting of a planet (Default)

Challenge #7

Make a list of fannish and/or creative resources. Post your answer to today’s challenge in your own space and leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.

I was struggling with this, because I was thinking mostly of the 'creative' half of the challenge as opposed to more general fannish resources, but I think that refocusing more on the, for want of a better way to put it, 'user' experience of fandom this is a pretty useful list. There are some that are more focused on being a fanwork creator, but they are not craft/creative-focused resources so much as ways to streamline posting to AO3, etc. As a disclaimer, since a lot of this post relates to AO3, I am an OTW volunteer, but I am not speaking on behalf of the OTW in this post and the views and advice are purely my own, and may not reflect those of the OTW as an organisation (and may even be mistaken, if I have misunderstood or misremembered something). Also, I've linked some third-party scripts and extensions that customise the UX and/or UI of AO3, but please note that these are not officially affiliated with AO3 or the OTW and I am recommending them as an ordinary user of the site rather than endorsing them on behalf of the OTW.

Click to expand

That said though, here are some resources:

  1. AO3 search and filtering
  2. Maybe this one is super obvious, but AO3's native search and filtering options are very sophisticated and include options for sorting by kudos/comments/bookmarks/date posted, including/excluding certain tags from your search results, including/excluding crossovers/showing only crossovers, as well as filtering for complete/incomplete works only, works in a specific language, works in a specific word count range, works posted within a specific time period, etc.

    If you are not already using filters to refine your search results, and have been frustrated by having to search a long time to find something you're interested manually, upping your filtering game can really help you find exactly what you are interested in much more quickly.

  3. Hidden search operators cheatsheet for AO3
  4. To make AO3's filtering even more sophisticated, you can use these search operators, which will help you get even more precisely filtered results.

  5. Ao3 first tag search by Peter MacDonald
  6. If you are a rarepair shipper who is used to having to look through pages upon pages of search results when you filter for your OTP, because they only appear as a background ship in most of the works they're tagged in, then this is a great browser extension to have installed. When it's enabled, it will add a ticky box on the AO3 search page to only return works where the ship you are searching for is tagged first. Most creators on AO3 tag the 'primary' ship in a work first, so this will mean that most results will probably give you works where your ship is the focus of the work.

    You can install it here for Firefox or here for Chrome (I strongly advise switching to Firefox, by the way, but I will not bully you if you don't wanna).

  7. AO3 floating comment box by [tumblr.com profile] ravenel
  8. While I am a big believer in the validity of lurking and the fact that no one owes you a comment no matter how much they liked your work, I do want to get better at leaving comments more often and this script has really helped with that a lot. A big issue for me is that the comment box is at the very bottom of AO3 works and if I want to comment on specific parts there can be a lot of scrolling up and down to copy and paste, or refresh my memory, when I get to writing out my comment. I could keep notes in Notepad or something as I went, but realistically I don't think it's very likely I would remember to do that and even the negligible barrier to entry of opening up Notepad would make commenting seem less approachable and more difficult.

    This script really streamlines the process of commenting for me. After you have downloaded and enabled the script with Tampermonkey, you should see a little 'O' in the top lefthand corner of AO3 works you have open. If you click on this, it will open a floating comment box (which you can minimise again without losing your notes) to start writing your comment as you go. If you highlight text in the work and click "Insert selection" it will copy and paste that text into the floating box. If you click "Add to comment box" everything you've written in the floating box will be transferred to the comment box at the end of the page, which you can then mess around with some more, if you like, or just click post. And then you're done! I like this script a lot and it's really opened up writing longer more detailed comments to me.

    Here's a post by [tumblr.com profile] ravenel on Tumblr about the script. Here is the script itself on Pastebin. And if you are new to installing scripts with Tampermonkey, [tumblr.com profile] bourbon-ontherocks has a tutorial about how to install this script here.

  9. Muting and blocking on AO3
  10. I was talking to someone the other day who didn't know this, but you can now mute and/or block certain users on AO3 itself, rather than by creating a site skin yourself that hides their content, or using third-party extensions.

    From the relevant AO3 News Posts themselves, muting someone will hide:

    • works they've created (or co-created) in search results and tag listings (you can still access the works themselves, if you have a direct link)
    • bookmarks they've created
    • other users' bookmarks of their works or series
    • comments they've left
    AO3 News, "Introducing the ability to mute users" Published: 2023-02-06 00:49:38 UTC

    and when you block someone:

    "[...] they will no longer be able to comment on your works or reply to comments you've left on news posts or other creators' works. They will also be unable to edit existing comments or replies they've left you.

    The block will persist even if the blocked user changes their name."

    AO3 News, "Comment blocking is coming" Published: 2022-06-05 00:15:20 UTC (as of 20:59 UTC 10 June 2022 the changes mentioned in this News Post were deployed).
  11. Site skin to hide stats/inbox from dashboard*
  12. I got a bit overwhelmed in 2023 by my relationship to Feedback™/the response a work I posted got, or didn't get, immediately after I posted it, so I turned off emails for comments in my settings on AO3, and created a site skin that hides my inbox on the dashboard and homepage, as well as hiding the comment/kudos/bookmark count on works, and hiding most of the information on the stats page (I kept word count, because that wasn't making me go weird and I like to see it). My intention at the time was to keep the skin on most of the time and toggle it off once a week to respond to any comments and then toggle it back on, to stop getting random spikes of excitement/disappointment based on seeing my inbox, which I did for a while, but now I mostly have it off because I think (for now) I've managed to achieve a healthier relationship with this stuff.

    To figure out how to make a skin that did what I wanted it to do, I referred to:

  13. Podfic work skin by [archiveofourown.org profile] Azdaema
  14. Speaking of skins, you can use work skins on individual works you upload to alter their appearance. Sometimes people have work skins that format text messages to look as they would on a phone, etc., and a lot of podficcers use work skins on their podfics, particularly if they have cover art. You do not by any means have to make cover art or use a work skin to post podfic, and plenty of people don't, but if you do want to use a work skin to format your works when you post podfic to AO3, this skin by [archiveofourown.org profile] Azdaema lays things out nicely.

  15. AO3 podfic posting helper by [archiveofourown.org profile] irrationalpie, [archiveofourown.org profile] lastonetheboat, and Jeremy Mowery
  16. It is often common practice when posting podfic to AO3 to copy the metadata tags of the original work, as well as adding some of your own like "Podfic" or "Podfic length: 0-10 minutes" and so on, but doing this manually can be a bit tedious. This browser extension, which is available on Chrome, Firefox, Microsoft Edge, and some browser I don't know called Source, automatically copies over the metadata from the work your work was inspired by, and, optionally, adds some of your own. You can further customise this in advanced options.

  17. Blanket permission highlighter by [archiveofourown.org profile] BrickGrass
  18. If you are a podficcer, a fic translator, or anyone interested in creating works inspired by other fanworks on AO3, you are probably aware that it is common etiquette to ask permission from the original creator before you do this. Some people have a blanket statement about their transformative works policy—which might be a blanket yes, but could also be a blanket no/yes-for-X, no-for-Y, ask-me-about-Z—for people to refer to instead of having to ask for every individual transformative work they create. This is often, although not always, in their AO3 profile. You can check someone's profile manually, but there is a database of creators with blanket permission statements created/maintained by [archiveofourown.org profile] Rindle and if you install this add-on by [archiveofourown.org profile] BrickGrass, creators on listed on FPSlist will have their usernames highlighted in green on AO3. You can also, optionally, tick a box on the side panel with filters to hide works by creators who are not on the FPSlist, if you wanted to browse through a specific tag quickly to see at a glance what works were created with blanket permission. I found this very helpful when scouting out fic to podfic for ITPE, especially when combining it with using exclusion filters to filter out tags relating to a recipient's DNWs.

  19. Blanket permission builder by [tumblr.com profile] flamingwell
  20. Speaking of blanket permission, if you are a fanwork creator who would like to put together a blanket permission statement but are finding it hard to figure out the ins and outs of what you want to have on there, this tool will help you build and generate one based on your replies to a list of questions. [tumblr.com profile] fanworkspermissionstatement has an FAQ about the tool here and the tool itself can be found here

Since a lot of these ended up to relate to podfic, here's some bonus resouces for the pod-curious who want to dip their toes in the water but are worried about buying expensive equipment or software.

  • Software: Audacity is a free, open-source audio editing software and is the software most podifccers I know use.
  • Mic: your phone or your laptop's inbuilt mic.

That's it! If you have a headset mic, or a Zoom mic or something that you'd like to use instead: use that, but do not go out and spend money on anything before you've recorded a few podfics and decided if you like it. Also, for what it's worth, the audio quality of smartphone mics is very good and some of my favourite pods that I've done were things I recorded on my phone. Also, I've listened to multiple things recorded with inbuild laptop mics and I wouldn't have known if I hadn't been told, and I have a pretty good ear. This is an amateur hobby and I promise that you do not need to break the bank to just get started.

Bonus-bonus podfic resource:

  • Using a free teleprompter app like Imaginary Teleprompter frees you up from scrolling while you're reading through your script. It's helped me a lot!

*This just kept eating the rest of the post when I tried to put it higher, but if you would like to copy and paste my skin, the CSS can be found below. (Edit: I figured the problem out. I was missing an angled bracked when I was closing off the textarea element in the HTML for the form, but I can't be assed reformatting this post again to take the footnote out now that I've gone to the bother of putting it in, lol)


[return to where you left off.]

As with my last post for the [community profile] snowflake_challenge, there are a lot of links in this, so let me know if any are broken and I'll fix them.

obstinatecondolement: (SamTory red purple)

Search in your current space, whether brick-and-mortar or digital. Post a picture (a link to a picture will be fine!) or description of something that is or represents:

1. Something your favorite character would like
2. Something that makes you laugh
3. A fandom place you would like to visit
4. A fandom creator (pro or not) you'd like to meet
5. Something you find comforting
6. Something from a favorite TV series or movie from your childhood
7. A piece of clothing you love
8. A book or song with a color in the title
9. Something only someone in your fandom would understand

  1. Something your favorite character would like
    This one was tricky! For one, I have so many characters who I love it would be hard to single out out as my absolute number one favourite, and for another I am quite different from a lot of my favourite characters in the things I like, or at least am a bit short on stuff they'd like at the moment. So, in the spirit of a well-intentioned relative doing their very best:
    It's the thought that counts, Blorbo...

    A brown sock next to another partially knitted brown sock

    Who doesn't love nice, warm hand knitted socks? They're made from 100% alpaca fibre yarn! Well, almost 100%, there's a bit of polyamide in there to make them more hardwearing. But all the better, really, less darning! Really, Blorbo, you could be a little grateful.

  2. Something that makes you laugh
    This one was a lot easier, because I was in the middle of laughing at it when I first read today's challenge on the [community profile] snowflake_challenge community.
    You gotta make your own fun sometimes...

    Cover art for a podcast titled 'An Oral History of Trek Rarepair Swap with cosmic_llin and SweetPollyOliver, ft. misc. squeeing about the ships that started it all.' On the cover is an image of Worf and Data in front of a heart as well as one of Seven of Nine and Sarina Douglas.

    This is a once-off single episode podcast I recorded with my fellow [tumblr.com profile] trek-rarepair-swap co-mod [personal profile] cosmic_llin recently for [community profile] voiceteam's Mystery Box 2023 event. The challege was Temptation and [archiveofourown.org profile] bluedreaming tempted people to record a mini-podcast or oral not!fic about their favourite overlooked fandom/rare ship/etc., which I all but jumped at and immediately asked the mods if it would be okay to record something with a non-Mystery Box participant if I did the rest of the work of creating the audio work, i.e. organising, editing and cover art, etc., and fortunately they gave me the all clear.

    It was really lovely to record this with Llin and reminisce on the magical four years we spent modding [tumblr.com profile] trek-rarepair-swap together, the amazing community that built around it, the many wonderful fanworks that were created for it, and the Star Trek rarepairs of our own that inspired the creation of the swap.

    If you're interested, you can listen to the pod on AO3 via an embedded stream, or you can use the download link on the work to get a copy of the MP3. Or not, this is not intended as a hard sell, haha. But in my subjective opinion it is a pleasant 51 minutes of listening to two Star Trek nerds being silly.

  3. A fandom place you would like to visit
    Now, to be clear, I am not saying that this would be a good idea, but:
    All roads lead to...

    A photograph of a copy of the Discworld novel The Truth

    or rather away from, the Big Wahoonie itself: Ankh-Morpork! More specifically, the offices of The Ankh-Morpork Times to visit William de Worde, who in many ways is The pedantic, morally scrupulous, yet often a bit of a dick, OCD/autistic character of all time. Also, going to visit a newspaper office at a place that's vaguely analogous to a Gutenberg-era print shop is too good a chance to pass up.

  4. A fandom creator (pro or not) you'd like to meet
    I am going to cheat here and pick two...

    A photograph of two books: Throne of Jade by Naomi Novik and Axiom's End by Lindsay Ellis

    I went to World Con 2019 in no small part to see both of these creators. Sadly, Lindsay Ellis overslept, I think due to jet-lag, and missed the panel she was supposed to do on the day I had a ticket for, but I did get to go to two things where Naomi Novik spoke, which were both fabulous. In one, she read the first chapter of the then-upcoming A Deadly Education. She was a very engaging and funny speaker and had both sets of crowds in the palm of her hand.

    I've loved Novik's Temereaire series for years, and reading Spinning Silver was what finally got me to get my drop spindle out again after having it for a full year before then but not being able to figure out how to use it from videos, and I at long last managed to crack how to get the first bit of fluff to catch onto my leader thread, which has brought a great deal of fun and quality of life to me in the years since. From reading Novik's work, I really like her sense of humour and her ideas, and I think she'd be fun to chat to in a low stakes sort of setting.

    And, regarding my cheat-y second pick, it would be nice to see Lindsay Ellis speak in person at some point, even if I didn't get to "meet" her, since I didn't get the chance to see her panel in 2019.

  5. Something you find comforting
    This one was a doozy...

    A photograph of a Hobonichi 5-year-journal, with the top lefthand box for Jan 1 2024 written in. On the page opposite, a small photograph has been printed out and stuck down of a laptop playing an episode of Porridge on set up on a tray, which also has an in-progress brown sock on four double-pointed knitting needles sitting in front of it.

    I've blurred most of the handwriting here to protect the innocent, or myself at any rate, but this is a kind of three, or perhaps even four-for-one thing that I find comforting. Firstly, I find planners and journals very helpful in terms of using pen and paper as a better memory than my fallible meaty brain and in helping me unplug a bit and do something tactile to stop my eyes from getting too square from looking at a screen. Secondly, I also like printing out digital photos on either of my two Polaroid printers, because I so often lose my photographs when I change phones, or I never back them up, and it's nice to just have them somewhere printed out and maybe stuck down. Even, and maybe especially, silly fandom-y ones. Thirdly and fourthly, in the photo-in-the-photo here, you can see my current knitting project, which is another non-digital hobby I am trying to give more time to, and the show that's paused on my laptop in the photo is Porridge, which I've been finding to be very comforting to revisit recently.

    More specifically about journaling though, I have found that with my five-year Hobonichi journal, I've been trying to talk about the things, which so far this year have mostly been silly little fandom things, I'm doing that I want to remember five years from now, and that I want to remember how I felt about them at the time.

    It has been kind of interesting having a five-year journal for the first time, because I've been finding myself very hestitant to be too optimistic about looking ahead, knowing that I will be looking back on what I'm writing, because historically with journaling it has been a bit dispiriting reading about things I wanted/intended/thought I would do that never happened or didn't work out.

    But I suppose that's all part of life, really, and I do want to be able to capture how I really feel in part because I know it will change and I don't want to fall prey to thinking that I don't change my mind and that I've always thought X, Y or Z. The only constant is change, but I like to keep in touch with my past self and write my future self letters about how I'm getting on, you know? So I have, at the very least, been writing down that I'm worried about being optimistic and that it feels foolish, because I don't want to forget that's how I felt. I don't want to put on a brave face to my future self and hope the shame of having over-promised how well I'd do will keep me on the straight and narrow, but I also don't want to self-censor out of some kind of misguided PR-motivated impulse to not look foolish to myself.

  6. Something from a favorite TV series or movie from your childhood
    I actually had another plan for this one, until I saw this during the IRL portion of my scavenger hunt...

    A photograph of Vol 2 of the Mighty Morphin' Power Rangers trade paperback published by Boom! Comics.

    It wasn't actually the Boom! comics that got me into my brief, but intense, summer of writing Bulk/Skull fic and talking about Power Rangers on Tumblr in 2016, but it was this intense revisitation of my childhood favourite that led me to read the first few volumes of the MMPR and Go Go Power Rangers comics. I sort of fell off around Shattered Grid, and did intend on catching up again at one point, but there has been a lot of lamentation and rending of garments about writing choices that the comics have made from the people I follow on Tumblr who have kept up, so I may or may not at this point.

    Regardless though, it's nice to be reminded of my summer of Power Rangers, because that felt like a very pure and unabashed expression of fannish joy and I want to do that more often for whatever niche corners of fandom I find myself in. It was also around that time that I was revisiting a lot of stuff from my childhood again and allowing myself to just be self-indulgent and juvenile about liking what I liked, up to and including campy '90s shows with questionable monster costumes, which is another thing I want to remember to do more often.

  7. A piece of clothing you love
    In the context of #3, this one is kind of funny...

    A photograph of a blue Ray Spooner Aloha shirt with a repeating pattern of simplified illustrations based on the cover art of albums by The Beach Boys

    I coveted this Beach Boys-print Aloha shirt a lot before I bought it, because I was, at the time, trying very hard to be better about not buying things on the other side of the world impulsively and wanted to a) buy less new clothes in general and b) buy fewer clothes that weren't 100% natural fibres (this is 50/50 cotton and polyester IIRC). However, after about 5 weeks of sitting on my hands and Thinking Seriously about if I Really Needed it, I bought it. Just in time, really, because my size was very nearly sold out and it's a limited edition print that wasn't going to be brought back in stock. But I absolutely love it and I feel that it is very representative of me as a person, so I think that counts as mindful consumption, haha.

    I have been trying to be more comfortable with the fact that I am not ever going to be able to pull off the willowy androgyne, or tall lumberjack, take on masculinity just because of my basic body type, which even with HRT can only change so much. I will always be short and round with small hands and feet, but that's okay because there are lots of short, round-faced men (and otherwise masculine-of-centre people) and they are great, so if I'm more of the Justin McElroy school of masculine gender presentation then I want to do that very hard and on purpose instead of living in bland unisex clothes that I try to hide in. I've fallen off a bit on this fashion-effort lately, so this is a good reminder to keep persisting in trying to get better at this.

    And, regarding what I said about the relationship to #3, I wore this shirt when I was going to visit some friends in North Wales, one of whom happened to be wearing a Rincewind shirt when I got off the train. The friend wearing the Rincewind shirt took my luggage for me and my other friend remarked, shortly after I got done taking a photograph of the sign for Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch,* "Um, so I've noticed something here..." and we all had a good laugh about me doing touristy things while I was doing an unintentional closet cosplay of Twoflower and my friend was channeling Rincewind at the same time. I, fortunately, did not leave my luggage in Wales, however.

    *Which, incidentally, is a request only stop, so I had to tell the conductor that it was where I was disembarking ahead of time, a task for which I prepared by relentlessly drilling myself with Welsh language tutorials on YouTube and getting Welsh friends at [community profile] vidukon_cardiff, where I was travelling from, to tutor me on the pronunciation before I left the hotel. All told, I spent almost a full day on this preparation (remember what I said about finding William de Worde relatable?), only, after all that, for the conductor to tell me he was getting off at Chester and I would have to tell the next fella.

    Should you ever be in this situation though, I have been reliably informed that you don't have to say the whole name, and would seem like a bit of a try-hard if you attempted to, and all that you need to do is say "Llanfair-PG" or, if you really want to seem like you're in the know, "Llanfairpwllgwyngyll." I tried the latter the first time pretty successfully with conductor #1, but stumbled at the fence by not taking a long enough run up to it with conductor #2, and had to resort to shamefacedly saying that I'd meant Llanfair-PG.

    The rather unfortuante thing is that even with an abbreviated version of the name in question, I'm really bad at the ll sound in Welsh (to say nothing of other sounds in Welsh that weren't there to trip me up on this occasion, like the trilled r), so I run into issues straight away. But, as an Irish person who gets very irate about tourists on the train who do not even attempt to learn how to say Irish language place-names and just blithely and confidently mangle them by assuming they should be pronounced like English, I wanted to do my best and make a genuine attempt. Which, unfortunately, was not amazing. Better luck next time, I guess, lol. At least I knew that written Welsh has it's own phonetic conventions that are not identical to written English, I suppose?
    [return to where you left off.]

  8. A book or song with a color in the title
    This is very cheeky, but...

    Cover art for a filk titled 'Under a Blanket of Green' and subtitled 'an ode to blanket permission'

    I also recorded this filk for [community profile] voiceteam's Mystery Box event. It's based on Under a Blanket of Blue, as performed by Louis Armstrong and Ella Fitzgerald. I was taking part in a Filk Broken Telephone and the work before mine was 'Meet me in the blanket fort' (based on Meet Me in the Battlefield) by [archiveofourown.org profile] irrationalpie, so this seemed like a good lead on from that and I liked the opportunity for green as a reference to [archiveofourown.org profile] BrickGrass's browser extension that highlights the usernames of users on [archiveofourown.org profile] Rindle's directory of creators with blanket permission statements for transformative works of their fanworks in green, because an audio fanwork event seemed like the right venue for a work about blanket permission statements.

    I do a fair bit of amateur singing and other kinds of music in a non-fannish context, but this is the first time I've made an attempt at a musical fanwork, so I hope it turned out okay. If I was doing it again I'd use my other mic, because this sounded a bit tinny, but I think it's listenable.

    If you're curious, you can click on the image itself to follow the link to the AO3 work, or for convenience, here's another link here. But absolutely no pressure, and I am linking purely in case people wanted to hear it to save them from hunting it down or asking for a link. My 2024 fandom mission statement is doing whatever I want whether people are interested or not, so if you're not interested then that's genuinely fine.

  9. Something only someone in your fandom would understand
    Some more cheekiness...

    A screenshot of a Porridge fic by SweetPollyOliver titled Cockatoo in Malibu

    Once again, the image is a link and here is another one, haha. But also, once again, I genuinely do not expect anyone to make use of either of these links and am just putting them there on the off-chance someone does want a link and, honestly, to scratch the itch caused by the HTML-fuelled goblin that lives in my brain.

    I'm mostly including this at all to show that I am walking the walk re: doing whatever niche bullshit I want as I resolved to as part of my day #2 resolutions, because I've already written another fic for one of the micro fandoms I nominated, requested, and offered for Yuletide,* in addition to the one I wrote for my assignment.

    I am 10,000% delighted with how well I did out of Yuletide this year—so much in fact that I still wanted to write more because I was all fired up. So I did. Even though it will be completely impenetratible to, I'm gonna say, 100% of the people who are subscribed to my AO3 profile. And I may still write more! I have an idea for a vid too.

    *And, happily, which I was gifted two wonderful fics for as well, Long Drawn Sunday Night by [personal profile] twoam and A Bit of Bottle by [personal profile] nomadicwriter, as having the opportunity to write one of my own, What Good Are Cupid's Arrows to a Fletcher Without a Beau?, for my recip [archiveofourown.org profile] Emma_Oz.
    [return to where you left off.]

I got very link happy in this, so if any are broken, give me a shout in the comments and I'll fix them.

Snowflake Challenge promotional banner with image of metallic snowflake and ornaments. Text: Snowflake Challenge January 1-31.

P.S. I've screened comments on this because of a minor brain weasels concern about [REDACTED], but I've unscreened every comment I've gotten so far and if yours is screened for a while I'm probably just asleep or haven't checked DW for a bit.

obstinatecondolement: Deanna Troi from Star Trek: The Next Generation shown from the shoulders up, standing in front of a painting of a planet (Default)

Challenge #4

IceBreaker Challenge! Tell us about yourself. Post your answer to today’s challenge in your own space and leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.

Oh, hmm, let me think about how to go about this in a way that's not just very fandom specific.

Here goes!

  • I love words and wordplay and writing sentence-level prose that I find sonically, or otherwise, satisfying (which I fixate on often at the expense of doing a better job with larger structural stuff, or in deprioritising writing things that sound plausible instead of that just make my brain fizz).
  • Another of my writing foibles is that I can't bear to write sad things that aren't in any way funny, or funny things that aren't a bit sad.
  • I am very over-confident and self-satisfied while also being profoundly insecure and embarrassed by every minute aspect of my person.
  • I often try to be a dilettante and an expert, with varying degrees of success.
  • I am instinctively very good at understanding cat body language, but had to learn human social skills from my culture of origin very deliberately and by rote and only really got the hang of them in my mid-twenties.
  • I'm really going to try to have one that is unambiguously positive now: I am well loved by many wonderful friends who I met through fandom.

obstinatecondolement: (fall of (karate) man)

Challenge #3

Create a wish list of fandom things (podfic, graphics, playlists, canon recs translations, research help, vids, sky's the limit!) that you'd like to receive. Post your answer to today’s challenge in your own space and leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.

Oh gosh! I obviously do not feel entitled to expect any of these wishes to coming true, but in the spirit of blue-sky thinking, here's some things that would make my entire year:

  • A shippy Fletch/Godber Porridge fanwork of any variety.
  • A synopsis of, or fanwork about, a hypothetical episode of The Muppet Show (1976-1981) where the very special guest is a contemporary 2020s celebrity. Time travel optional, and feel free to use any medium (text, audio, audiovisual, visual, etc.) or format, e.g. meta, notfic, oral notfic, fanart, etc.
  • An unconventional soulmate AU, or a fake dating fanwork, about Roman Roy/Gerri Kellman.
  • A recommendation of a new-to-me fandom with a canon younger man/older woman ship.
  • A Survivor (as in the reality TV show) AU for any of my fandoms (anything I have a fandom tag on Dreamwidth for and anything I've created a fanwork for on AO3, besides Teen Wolf which I'm not really into anymore, is fair game).

obstinatecondolement: (Daniel red yellow)

Challenge #2

In your own space, set yourself some goals for the coming year. They can be fannish or not, public or private. Leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.

I've just reviewed the fandom goals that I posted for 2023 for day 12 of last week's Snowflake Challenge, and I did better on them than I expected to! I had a full success with 5/11, a qualified success with 8/11 (I gave myself a few cheats on three of them to make up lost ground), and made some progress on all of my goals, even the ones I consider failures overall.

Looking at what was easy, what I was just about able to pull out of the bag, and what I thought was going to be easy but then didn't manage, I'm going to make the following adjustments for my goals this year:

  • Participate in three fandom exchanges.
  • Create one treat for an exchange.
  • Create three pinch hits.
  • Beta read three fics.
  • Bind three books (none of which have to be a new typeset, or my own typeset).
  • Typeset three fics (they do not have to be the same ones I bind).
  • Record, edit, and post at least one podfic a month (one Mulligan is allowed if I miss a month and then make it up by posting two in another month).
  • Finish my podfic of Wedding is Destiny; and Hanging Likewise by [archiveofourown.org profile] sqbr.
  • Complete and post two fanvids.
  • Health and other circumstances permitting, attend two in-person conventions.
  • Comment on at least one fanwork a week.
  • Update Dreamwidth at least once a month.
  • Write whatever self indulgent niche fic I want to without worrying about whether anyone else will care about it.

The last one is more qualitative, because I don't want to set a hard target of "Write one fic no one cares about a month" or something, but I do want to get more comfortable with just pursuing ideas that I am interested by and want to write without being worried about Alienating People Who Subscribed To My AO3 Profile For [X Fandom] or that no one will read it, or whatever.

In general, I've tried to (slightly) scale up the goals that I succeeded on last year, and scale down the ones that I didn't, or make them less specific so there's a wider scope for success. Most of my goals are less specific than they were last year, actually, but I think that this is good because it means I might try more things. I've also dropped a couple of goals that I think are sort of done, or that I'm doing okay on without tracking them/setting a goal for them.

Snowflake Challenge promotional banner with image of igloo and northern lights. Text: Snowflake Challenge January 1-31.

obstinatecondolement: The character Mr. Messy from the Mr. Men books against a white background, similar to the cover of a Mr. Men or Little Miss book. The image is captioned, "Little Mx Executive Dysfunction." (little mx executive dysfunction)

I've been signing up for a lot of fandom bingo stuff and feeling Very Bad about how many bingo cards I have signed up for in the past and then never finished (or, in many cases, started), so I guiltily took a look at my [community profile] 100fandoms bingo card (never updated since I signed up in January 2019 until now) and filled out what squares I could from fic that I have posted since I signed up. Technically, it's not against the rules to use fic you wrote before signing up, but I wanted to limit it to what I've done since then. I was pleasantly surprised that I was able to fill out 23 squares even though I hadn't been actively working on it. Like, sure, it's nearly been five years, but it's certainly more than I expected given how all-consuming Cobra Kai was for me for a hot minute of several consecutive years there, lol.

I think I am going to keep chipping away at it, because going through my works on AO3 for all these various fandoms where I only ever wrote one (or a few) fics made me realise how much I like those works and how good I think a lot of them are. I said this in my update to the post I linked above, but I have often felt inhibited from writing in certain fandoms either because I think No One Will Care outside of Yuletide season, or because I only have 1–3 ideas in me for that fandom and I don't want people to be disappointed if I just breeze through, drop a few things they like, and then leave forever. But, like, that's very silly. I should write things because it's fun and because I like them before I worry about My Public. I am not a professional writer whose livelihood depends on having a wide readership and nor do I have to tie myself down to a specific Brand Identity to avoid confusing or alienating readers who liked my X books but then hated my Y books. It's just for fun! So I should have fun! Which I do, when I let myself, so I think I'm just gonna take this as a sign to give fewer shits and just write the damn thing if I have an idea I am compelled by.

obstinatecondolement: A screencap of the BBC adaptation of Rossum's Universal Robots, which has been captioned 'Workers of the world unite.' (czech workers)

So I have dipped into a lot of non-fic fanwork creation of various kinds—fan crafts, playlists, graphics, vids, podfic, icons, typesets and books of fic—but I am generally not super prolific in any of them. I started vidding in 2019 and have since only made 14 vids, which is not not due to tech issues, but it's still not a great innings, especially when you consider that the first four were all posted within the 21 days of each other, because I started off on a hot streak that then immediately cooled to a rate of two and a half vids a year after that. I also have been orbiting fan binding spaces for like... three years and have only gotten started actually binding books this year, and it also almost didn't happen for me again because of tech issues (my dad's printer and the imposition process joined forces to ruin my life, but luckily a [community profile] renegadepublishing mod held my hand through troubleshooting the issues I was having.

this got very long, lolI am doing better with podfic, likely due to the lower barrier for entry. I posted my first pod last year towards the end of May, and as of now I have six completed podfics posted publicly on my AO3 account (plus one WIP, plus one that's in the Chromatic Characters Podfic Anthology IV collection and will be revealed on September 30th and, if I'm being a bit cheeky, plus a fraction of (one of) my [community profile] pod_together partner(s), [personal profile] semperfiona's Discworld pod: [Podfic] Radio Killed the Semaphore Star, because I read the footnotes for the podfic version).

This still isn't amazing compared with my fic output,* and that is also in large part because I have also had tech issues that have held me back with podfic. My microphone is, by all accounts I've seen online from audiophiles, Very Good and an exceptional XLR condenser mic at its price point, and I haven't read any horror stories about the audio interface or XLR cables I use, but consistently it has recorded incredibly quietly for me, even with the gain on the audio interface set as high as it will go. I have kind of improved that as of this evening, because apparently some versions of Windows set the input audio levels very low by default and you have to manually change them in settings, so that was a big part of the issue, but I still have to set my gain up higher than I'd like to get the audio to a place where I don't have to drastically change the volume when I normalise it to between 19 and 16 LUFS, because I lose a lot of the audio quality with huge changes from very quiet to very loud, but if I set the gain as high as I think is appropriate then I get a hiss that I have to take out with two rounds of noise reduction that, to my ear, takes a lot of the warmth out of the tone of my voice and makes me sound a little tinny.

I have gotten some feedback on this, though, and someone else said that they felt one round of noise reduction made the hiss inaudible unless they turned the volume up uncomfortably loud, so they at least would not notice it if that was what the final edited version of audio sounded like. I do think I will ask for an inline preamp for my mic for my birthday, just so I can set the gain as low as it will go. I have heard good things about the FetHead Phantom (I need to get one that allows phantom power to flow, since my mic needs 48V phantom power) and at €75 plus fifteen quid delivery, I would not feel outrageous asking my siblings and parents to chip in on it for my birthday present.

However! I have also recorded the last two pods I've done (plus the footnotes of the one I guest-voiced on) on my phone, which is like... definitely more than adequate! It's 1000% not a hobby that requires top of the line microphones and I would never recommend someone starting out get a mic before they've recorded a few pods on their phone or their laptop's in-built mic, or whatever they already have, and edited on an open source DAW like Audacity to see if they enjoy the hobby.

I did not, I hasten to add, run out and buy expensive equipment on a whim to try podfic. I ran out and bought expensive equipment on a whim, because at one point I had plans to do a Star Trek podcast with my friend that we kind of lost momentum on when we were Going Through It. So, basically, all the advice I had come across, when I was researching what to buy to start a podcast was aimed at people who were trying to make podcasting or other kinds of Content Creation™ a side-hustle. And, in that specific context, the getting highest quality audio you can afford out the gate is good advice,** because good audio is a solid investment for someone who makes their living creating audio(/audio-visual) stuff online. If you buy something that isn't going to give you the kind of audio that people have come to expect from Content Creators™©® it's often just a false economy that will slow the growth of your career and you will have to replace it much sooner than if you'd even gone one tier up from the absolutely ground level of the budget options on the market.

But for podfic? Literally do not spent a fucking penny if you have anything at home already that can record audio, which you almost certainly do if you are in online fandom. Plenty of very prolific podficcers record on their phones (or on headset mics, or laptop mics, or whatever they had when they started out) for their entire tenure in the podfic fandom. And that's not only literally fine, it is a lot more typical than having a set-up comparable to someone whose job involves recording and editing audio just for podfic. And actually? Mics on smartphones have great audio quality that can sound better than a higher quality mic that someone who doesn't really know what they are doing (*raises hand*) is recording on, because they can be extremely sensitive to the point of picking up a pin dropping in the next room, while phones are literally designed to exclude outside sound. Because they're phones.

And like, I think I kinda know what to do with my set-up now, but it has taken a lot of trial and error and Google/YouTube/Reddit/Discord have turned up a lot of dead ends or told me to do things I've already done/not to do things I am not doing. If I hadn't already owned a mic and had just started out on my phone instead, I might have already recorded and posted a lot more podfics and I likely would never have felt the need to get a microphone. And, you know, it's very nice to know that I have the option of just using my phone when I don't feel like taking out all my equipment and setting up my mic stand and all that shite and it will be Fine. I'm not unhappy that I have such a nice mic and I do want to make it work as well as it can for me, given that I did buy it for that podcast that never happened, but I am glad that I don't feel like it is the only option available to me that is up to my own standards for audio quality (which aren't even my own standards really, but those of some dads with YouTube channels, and I have been known to be very forgiving of pretty questionable audio quality when I've been listening to music or whatever in the past). And even if I get good enough at wrangling my mic that the quality is unequivocally and objectively Much Better than what I can achieve on a phone, I feel like I'm finally starting to escape from the prison of perfectionism and I'll be able to say and actually believe that doing something imperfectly is better than not doing it at all, because I don't feel up do doing it The Best That I (hypothetically) Could. I am feeling this in other parts of my life too, which has been great, but it is a very welcome change here.

But anyway, obviously I want to be empowered in non-fandom parts of my life by this, but I also am kind of excited to get more vids/books/etc. done because I'm gonna stop waiting to be able to whole-ass things that I can absolutely get done to a Good Enough standard with 45% of my ass. Like, I mean, I went from having recorded A podfic in January this year, and seven in the span of eight months, to having (at least contributed to) three in one month and honestly I think [podfic] Death with Dignity by Thebiwife is maybe my best work to date.***

I think that I have this very warped idea of what I Should be able to do, because I am very, very productive and can perform to very high standards... sometimes. And over short periods of time through small bursts of effort that are not sustainable to do All The Time. I can't reasonably expect the same level of "productivity" and "quality" non-stop. It's like saying that Usain Bolt would be the fastest marathon runner in the world if he'd only stop giving up after 200 metres. And also... sometimes, it is Bad, Actually, when I am working that fast and that much and to such a high standard, because it means either I have put myself under too much pressure by overcommitting and/or procrastinating, or that I'm Doing A Hypomania, or all of the above, and then I crash hard and can hardly function on much more basic and essential level for however long it takes me to recover. Which is not good!

On the other hand, I do very much hesitate to say something like "I should just be Steady and Consistent and Never do things over short, intense sprints" here, because I don't really think that's realistic given how many times I have tried really hard to do that and it doesn't seem to be how my brain works, but also it's not always bad that I get bursts of energy where I do Lots of things to a very high standard. I don't think that I should expect it of myself as a default, and I don't think I should ignore when it can be a red flag or the result of a bad decision, but I don't think it's a bad and pathological thing that I need to ruthlessly stamp out. I remember when I was writing reams of Cobra Kai fic while incredibly depressed (or, I guess, having a mixed episode) and not being able to do various basic self care things that are pretty much non-negotiables like showering, but I don't think that I would have suddenly been able to do those things if I had cut myself off from my sole source of happiness because I wasn't allowed to have fun until I could Be Healthy.

So, yeah, it's a pretty multifaceted thing, I guess. I think it would be healthy for me to let myself off the hook for not running the marathon in 01:07:28, and not basing my plans for the future around being able to do that, or thinking that it's something I Could do but am just being too lazy to apply myself to achieve because I'm a bad person who hates hard work, but I also have to allow myself to be happy when I can run 200 metres in 19.19 seconds and it's not hurting me in other areas. And I shouldn't hate myself for being a bad marathon runner no matter how fast or slow I can sprint right then. I can work on my marathon end time without being self-loathing about how I've Frivolously decided to be good at sprinting instead, because it must mean I'm a show off and have no stamina. I don't know if this metaphor is still working, but you basically get the idea.

*Which is like, to be clear, not a problem. You don't need to focus completely equally on all the different things you do in fandom and it's not really surprising that a skill I've been working on almost ceaselessly since childhood that involves absolutely no technical skills involving hardware or software that are unfamiliar to me anymore, and only requires a machine (not saying computer here for a reason—I wrote a lot of fic on my phone that I posted to AO3 when my laptop was not cooperating for literally months) that has a word processor and an internet connection to create that kind of fanwork, and that I started doing in fandom years before I tried making other kinds of fanworks, is something that I generally do more of compared with my other fannish hobbies.
[return to paragraph]

**Honestly, given that I did not want to monetise this podcast, I don't know what my excuse is. I think I got rather carried away and went mad, because I am extremely susceptible to dogmatic didacticism from people on the internet telling me the Best way to do things that Everyone should do and how Only A Fool would do the much more accessible and inexpensive thing. Don't let me near salespeople, basically.
[return to paragraph]

***Which I say not because it was the first one I used effects on, but the one where I flubbed the fewest number of lines while recording it. I usually end up with raw audio that is ten times as long as the finished run time will be after editing, but I got this one out pretty fluently. And I think what made the difference there was that I used a (free) teleprompter desktop app when I was recording and tweaked my script a bit ahead of time instead of making decisions on the fly about whether I was going to add dialogue tags to make it less ambiguous who was speaking or to leave it as written. Literally a game changer and I strongly recommend it to anyone who records podfic hasn't tried one. I used to have the fic open on my phone and I'd be squinting at a tiny screen and trying to juggle a thousand bits of hardware at once and it was Rather Hard. I much prefer just reading off my laptop screen as it scrolls down a teleprompter with multiple font sizes that I can pause, speed up, slow down, and page up and down the playback of while I read into my phone. Fucking luxury compared to how I was living before, lol.

And, speaking of making small changes to the text like adding dialogue tags, I also started to be a bit more judicious about replacing descriptions of sounds (laughing, snorting, etc.) with just... doing that sound myself and changing the dialogue tag to "[they] said" and so on.

But, I mean, while I very much would still think this was my best work if I'd done any sound effects or not, I am also very proud of the soundscaping I did in that pod—in particular the section I did where Deanna's empathy overwhelms her in a crowd, which I tried to make a Stressful Listening Experience that evoked sensory overload in a way that would, hopefully, not just tip over into being too stressful to listen to for 100% of listeners (although I did make a version without sound effects and added warnings and timestamps, so that it was a completely opt-in experience). I got a lot of lovely feedback about that from people over last weekend during [community profile] pod_together's listening jam where a bunch of us listened to and read stuff in this years collection and commented on it, keeping track of our comments and amount of time we spent listening over the weekend.

Collectively, I think we got to a very impressive 70+ hours and 150-ish comments. I was in the top five listeners and top five commenters, which I'm very pleased about, because historically I have had an awful habit of just... not looking through collections of events that I particate in very extensively, because I get overwhelmed and put it off. And then forget. Having a weekend long group thing, which included some communal listening hours hosted on the Discord as well as us doing our own thing, really helped me make it a priority.

Also, by the end of the weekend there was nothing left in the collection that didn't have any comments! This was a first for the exchange, as they've often had years go by before a particular years collection had comments on every work and this year we got to everyone within a week of the end of the event. Obviously people (and especially podficcers) aren't just creating their art to get praised, but it can be a bit of a bummer to work on something for an event and then not hear any feedback at all about it, and I think with podfic (which doesn't get a lot of love directed towards the creator at the best of times) it's disspiriting because it can feel like "Oh wow, even when I'm making something for a podfic-centric event, there are not going to be a lot of people who like or care about what I do, and the few who do don't tell me about it." In my case, I went from having no (0) comments on Death with Dignity (which, as I mentioned, I think is my best podfic to date) to having six very generous and thoughtful ones in a few days, and I'm very glad that I got to pay that kindness forward to other participants.
[return to paragraph]


Anyway, TL;DR, if there's something that is genuinely pretty accessible you want to try, but there are barriers to entry that you are actively opting in to by expecting that you have to be an expert or have expensive specialist equipment right away, then you have my permission to be a beginner and to have fun half-assing things with whatever you have that'll get the job done. And, although this is not at all the point of hobbies, you will ultimately get better by half-assing lots of things than you will by dreaming of what you could accomplish with your whole ass and not doing anything. And some day 10% of your ass and Tony Stark's figurative pile of scraps will be able to accomplish what your whole ass and all the expensive tools in the world could not even hope to right now. But also, while it's not bad to want to do things well or to care about craftsmanship, it is very, very important not to let anxiety about the quality of what you can produce at your skill level, and with the tools available to you, ruin the fun you could have with the process of getting there.

obstinatecondolement: Bernard Black from Black Books pictured from the shoulders up with an intent expression on his face. The image is captioned, "Do you have anything in an aquarium?" (aquarium)

After having a quick review of the fandom goals I made as part of my new year's resolutions, I had a bit of a scout around to see if there were any podfic related comms I could join to help with that portion of my goal.

To that end, I've signed up for [community profile] communal_creators which has a number of tiers for committing to creating different kinds of fanworks between September 15–October 15 (participants celebrating the High Holidays can start 7 days early or end 7 days late to make up days they will be taking off for religious observance)

I signed up for... a lot of different commitments, because my touching optimism in my own ability to follow through on things remains untouched by years of evidence to the contrary.

Here are some thoughts I've had about the tiers I signed up for, which I've copied and pasted from my intro post on the comm.

Time tier 1: 15 min/day averaged over a week

So this one is fairly self explanatory. I want to make sure that I'm keeping my hand in in general.

Craft tier 2: A moderate project completed

I was thinking of maybe making a little doll based on a character from one of my fandoms along the lines of Star Trek dolls I have made in the past—that link just goes to one set of such dolls (Jadzia and Worf), by the way, I've made some others too (Seven and Sarina Douglas; Worf and Data; Kira and Kimara Cretak).

But I may end up working on finishing one of my (many) non-fandom UFOs instead, depending on how I'm feeling closer to the time.

Podic tier 1: A complete podfic (or combo) of at least 5 minutes

I think that I'm probably going to try and record another chapter of my long dormant WIP, which is a repod of [archiveofourown.org profile] sqbr's Mary Bennet/Anne de Bourgh Pride and Prejudice fic: Wedding is Destiny; and Hanging Likewise (content warning: period typical depictions of sexism, ableism and homophobia (internalised and externalised)—although it is also a pretty atypically optimistic take on a lot of things relating to being a disabled Regency lesbian, by the standards of most fic with those tags, which I enjoy a lot). I started this pod very soon into my ventures into podfic and hadn't really realised that posting things as WIPs was not the usual practice. I've also had a lot of set backs in working on podfic between equipment issues and not having a lot of quiet time to record, so I'd love to get more forward momentum on this project.

Vidding: A completed vid(s) of at least 1 min up to 2 min

So I realised that the idea I had is probably too long for tier one, but I do have A Lot of things on my to-vid list, so I will not be stuck.

I've also had a lot of setbacks with vidding since I started out (I began in 2019 and have posted all of 14 vids since then 👀). I really didn't understand the specs necessary for video editing software when I started vidding, so I very innocently started out with my just-under-4GB RAM laptop and perpetually almost at capacity SSD with all my source on my drive instead of external storage. This has been Challenging, but I have managed to bully Vegas into working within those limitations. 14 times anyway. I've been threatening to get a new laptop for literally years at this point and I am going to really, really try to actually do that within the next week. I basically need to transfer money out of my credit union account and into my current account, which involves going to the credit union in person because I keep forgetting my PIN for online banking immediately after I have it reset, so as you can see: it's basically a near-insurmountable barrier to entry I'm dealing with here 🤣

Writing: 3000 words (fic or meta)

I am currently posting a chapter of a Good Omens WIP every Sunday (content warning: fic linked contains depictions of depression and pregnancy (which is unrelated to the depression)). The last two chapters will be posted within the time span of this event, so those may well count towards/make up my writing goal, but I have also been writing quite a lot recently and I have a few ideas that I've been itching to write, so I don't think I'll be stuck.

obstinatecondolement: White text against a blue blackground which reads "It's the cutting edge of politics in an extraordinarily boring way." The twelve stars of the European Union flag are pictured in the bottom left hand corner of the image (politics)
To preface this with the disclaimers that:
  • No one is obligated to comment on my fanworks or leave a kudos on them no matter how much they liked it or how many times they have revisited them
  • No one is obligated to comment on my fanworks or leave a kudos on them just because they mentioned to me somewhere other than AO3 that they really liked them
  • No one is obligated to even tell me if they discussed and enthused vocally about my fanworks in Discord servers, or elsewhere, whether I'm in them or not
That being said, I am, however, completely bewildered with the Tumblr-moving-into-Discord-era of transformative fandom and how its culture is evolving with regards talking about fanworks, both with the creator specifically and in general.

Often, people, who do not kudos or comment on things I post to AO3, who I know have accounts (and the works aren't archive locked anyway), will either privately DM me or @ me on Tumblr or in channels of Discord servers we're both in to say they really loved my newest fanwork. Often giving me really generous praise and thoughtful insights they had when they read/saw/listened to it when they do so! I talked to a friend about this and she said that she's had people draw fanart for her of fics that they didn't kudos or comment on. And that's like... obviously that's not sinister or something they are doing wrong that they should feel obliged to correct, in favour of some alternative that's more in line with what I personally prefer/find less surprising, but... it feels pretty self evident to me that it's nice for creators to have comments to look back on, all in one non-ephemeral place, which is also ideally on AO3/wherever they posted the work itself? And that Discord servers move quickly and the nice things you say there will be quickly be buried and hard to find again, which makes it unlikely for creators to be able to easily do that, unless they screenshot and archive every nice thing someone says to them about their work there, which few people would think to do in the moment, I think, except maybe in the context of a group vid-watching party or something. Also, kudos and comments bring the work further up the page when people sort by number of kudos or comments and that is helpful for the creator because it makes it more likely that more people will see it and say further nice things to them about it if they like it too.

I don't think this trend, as I have experienced it, is a "I do not want to be seen publicly liking this" thing, which, in fairness, I do think also happens a lot in this moral panic era of fandom we're in where people get call-out posts written about how they commented on or kudosed Reprehensible Fic that the call-out post author specifically sought out so they could read the comments and see who kudosed it with the intention of smearing them as a bigot and/or sexual predator on social media platforms that their AO3 profile was linked to.

Instead, I think that, when this has happened when I posted fanworks in the past, it's just because it does not occur to the people saying the nice things to me that the I would maybe also like to have the exact same nice things written in a comment on AO3. Or similar things! I'm really not saying that you can only comment on AO3 to say something to someone that they thing they made was good. Or that squeeing about it elsewhere Does Nothing to Boost Engagement™ and is therefore useless at best and Greedy Exploitation of My Fandom Labour™ at worst, as I have seen some people arguing.

Again, you can enjoy my stuff and never say a goddamn thing about it to me, or to anyone, and I will defend to the death your right to do so, no matter what your reasons are or how often you return to these works! You do not have to pay for your enjoyment of my work by Engaging Meaningfully with it in the way that I most prefer: I am not your grandparent passive aggressively asking if you forgot to send me a thank you note about the birthday present I sent you and do you need new stationery to send thank you notes? Should I send you that for your next present?

But... Idk, exactly. I guess, to me, it's kind of emblematic of this move to considering only new fanworks and fandoms of recently released/currently airing properties to matter? So if the nice things you say about them are ephemeral and hard to archive, who cares, because the creator will obviously only ever want to hear nice things about their newest work and anything else is a waste of time, and maybe even invasive and creepy à la fans of celebrities who stalk and/or harass them because they "love" them so much. Also, that fanworks and fannish interactions are disposable and trivial, and preserving them is not ever a priority or even a consideration.

Something I was surprised about when I started posting fanworks in multifandom comms on Dreamwidth was that people commented on them at all. Often when they don't even know the fandom! The culture here seems to be much more old school in that way than what I have become accustomed to post-LJ, which has been a nice thing to discover.

I do think that this bemusement I am having is not, like, something that I should fashion into a call to action or anything, in large part because I am extremely put off by the people who scold lurkers—or sometimes even people who don't comment effusively enough, or leave long enough comments, or who comment and then don't also kudos (the nerve! 🙄)—for "taking the gift of their work and giving them nothing back in return as thanks" because fuck that bullshit. That is not what is meant by the phrase "fandom is a gift economy" you ignorant, entitled dicks. Is commenting on AO3 a nice thing to do? Yes. But it's not obligatory and nor should it be. At least be honest about what you expect from people and start a fucking private Discord server where you link people to your Google Docs, in return for what you consider to be good feedback if you think you should be to be compensated for your fanworks—kick them off your private island if they fail to live up to your standards, for all I care! But do not put words in my mouth by saying this fucking shit on behalf of all creators who post things to AO3.


Really, I'm not sure what my point is here, exactly. I am having thoughts and feelings and these are what they are, I suppose? Or, I guess, if you find yourself wanting to reach out and say nice things to a fanwork creator anyway, it's potentially a nice gesture to do it on AO3/where they posted it, in addition to saying it on Discord or other ephemeral fandom platorms. Copying and pasting exactly what you said is absolutely fine by me, if you find it a struggle to re-phrase the same sentiment. I suspect it would be by other fanwork creators too, although, per what I said earlier, I can only speak confidentally for myself, because other fanwork creators' expectations and preferences vary considerably. You can add something like "C&P-ing from Discord for posterity" at the start of the comment if you feel shy about saying literally the exact same thing twice.
obstinatecondolement: Frenchie and Oluwande from Our Flag Means Death dressed fancily. Frenchie is standing while Oluwande is sitting. A lit candelabra appears behind Oluwande. The colour scheme of the image is mostly red (Frenchie and Oluwande pyramid scheme)
Challenge #15

In your own space, opine on the future of fandom.
This is an interesting one, because I feel like my ability to guess at future fandom migrations has never really been amazing. I bet against AO3, I bet against Tumblr, I bet so hard against Twitter that I never conceded and started being fannish there. I bet on Pillowfort, at least insofar as paying them the necessary $5 to create an account, and then never posted a single thing on it. But, as much as my guesses are any good, I think that the next phase of fandom will be/may already be primarily based on Discord, which I guess is kind of a return to form for me in the sense that when I arrived on the scene a lot of what went down happened in Livejournal communities.

I think that there are plusses and minuses to Discord as a platform for fandom. On the one hand, you have to know someone to know where to go, so it can be inaccessible in that way. But that can also be a positive, because it is possible to be have more private moderated spaces than is possible on Tumblr (or, as far as I know, Twitter). The big drawback for me is the difficulty of archiving things for fandom posterity. There are reams of thoughtful and insightful meta that will never be posted outside a Discord server and will probably die with that server. There is art that is never posted anywhere else. Some people are linking people to Google Docs to share their fic rather than archive it on AO3 (or elsewhere). And that's, like, obviously well within the rights of the people doing this, if that's what they want, but I think that many people who particpate in fandom through Discord would like for certain conversations and fanworks to be able to survive past one single, ephemeral fandom space.

My perspective on this is pretty limited, because there are so many pockets of fandom I have never gotten into and I have no idea what the people who hang out there are likely to want out of a future fandom home. But this is what my current thoughts are. Tumblr seems to have a near death experience every 3-5 years, so it's easy to simultaneously think of it as being incredibly precarious and also invulnerable to harm, so it is hard to say if and how long that will last as a fandom hub. Dreamwidth, as far as I can tell, has a dedicated base, but not a broad one and I don't necessarily see that changing in the near future, despite it being (from my mid-2000s to early 2010s Livejournal-reared perspective) a much better platform for fandom than Tumblr, Discord or Twitter. But I guess something being well built for fandom has never been a good predictor of where we flock to. Give us enough time and we'll probably start a fandom presence on LinkedIn.
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obstinatecondolement: Spock from Star Trek: The Original Series against a lime green background, pictured from the shoulders up, tilting his head to the side and raising an eyebrow. The caption reads, "Fascinating." (spock fascinating)
In your own space, create a quiz or a poll (or tell us your thoughts about answering quizzes/polls)

I had an interesting conversation with a friend of mine today where we butted up against a difference in understanding we had about what to "ship" something actually meant in practice. Specifically, I was said the following about a ship:
"Yeah, like, I do not ship this! I think it's a fascinating kind of... deconstruction of teen crushes on authority figures? Or people who they think are safe outlets for burgeoning sexual feelings who turn out to be not that? But I think it's repulsive. And my reading of [movie] is that [character 1] had a crush on [character 2] and the betrayal of him turning out to be literally manipulating him as part of an elaborate revenge plot shut down [character 1]'s tentative exploration of bisexuality for years. Also, I have never thought it was reciprocated, lol. Like, I don't get people who ship it in a fluffy consensual way, and I find the way that I think it is actually plausible to be repellent, but I do get it? Idk"

which they found interesting, because their feelings on the ship and reading of the canon was pretty much the same as mine, but they felt that they did ship it. So we clearly meant different things when we said "I ship this" or "I don't ship this" and we teased out what we meant specifically by this shorthand.

I am not aware if there is any agreed upon Definitive™ meaning, but I thought it would be a fun subject for a poll! So, here goes:
Poll #28319 Shipping
Open to: Registered Users, detailed results viewable to: All, participants: 20


So like... what does "I ship this" mean to you?

View Answers

I want this to be canon
2 (10.0%)

I think this is an aspirational relationship dynamic
1 (5.0%)

I find this interesting, but I don't necessarily want it to be canon or think it would be a good idea in real life
15 (75.0%)

I find the characters very attractive
5 (25.0%)

I find the dynamic between the characters very attractive
16 (80.0%)

I actively want to engage with this ship (via fanworks, meta, just thinking about them) in a more than incidental way
17 (85.0%)

I think this is a plausible interpretation of their canon relationship
10 (50.0%)

I think this is a plausible extrapolation of their canon relationship's potential evolution
12 (60.0%)

I don't like the relationship in canon but the fanon/what it could be is great
2 (10.0%)

Other I will explain in comments
2 (10.0%)

The responses are check boxes, so tick as many as apply!

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obstinatecondolement: Text in a variety of fonts against a black background that reads, "Thanks for coming to my TED Talk" (TED talk)
Challenge #13

In your own space, rec three fanworks that you did not create.
Okay! So, in no particular order:
  • turn a little faster; the world will follow after by [archiveofourown.org profile] katiemariie—hands down my favourite DS9 fic of all time. It has it all! Not one, but two cultural revolutions! Deconstructions of fanon post-canon tropes! Alexander Rozhenko as a midwife! Honestly, I am extremely picking about Garak/Bashir fic, as I find that often it is written in a way that is not to my tastes compared with how it's portrayed on the show, and [archiveofourown.org profile] katiemariee is one of the few authors whose take on the ship I gel with. But Garak/Bashir is by no means the only ship nor is it the main ship! The story is roughly half and half two parallel narratives that feature Lenara Kahn reunited with (now Ezri) Dax on DS9 and the two of them fighting against the Trill reassociation taboo, which is amazing and is probably the reason I am more likely to read Lenara/Ezri than Lenara/Jadzia, and Julian reuniting with Garak on Cardassia as an aid worker-cum-spy (as Kira remarks in the fourth chapter: "Frontier medicine by day, spy by night. Sounds like your dream job."). There is nothing about this fic I would change and I re-read it at least twice a year.
  • Profit & Growth by [archiveofourown.org profile] trinityofone—A John Kreese/Terry Silver fic in the Karate Kid/Cobra Kai fandom. This is the (intentionally) problematic kinky mpreg fic of my dreams! I usually am not a cis mpreg fan, but truly nobody is doing it like [archiveofourown.org profile] trinityofone! A guy babytrapping his boyfriend who won't commit by using mad science to knock himself up?? Sign me up! This fic was, to my knowledge, the first fic that used the Dynatox R&D tag which tragically is not yet a filterable tag on AO3, which is used on stories where Terry Silver's company Dynatox's R&D department is the jumping off point for various mad science premises. So far it has just been Kreese/Silver stories, but who knows! Maybe one day the Silverussos will join us in the lab!
  • Wedding is Destiny; and Hanging Likewise by [archiveofourown.org profile] sqbr—this is a post-canon Pride and Prejudice fic about Anne de Bourgh and Mary Bennet falling in love. It's... you guys, it's the best P&P fic I have ever read, and I am including the pro-novel Longbourne by Jo Baker in this. Mary is such an insufferable prig and I love her and Anne is such an unbearable snob and I adore her! The premise of the fic is that Mary chooses to go to Rosings Park to be Anne's live-in companion, largely out of a sense of anxiety about her role within her own family of birth after the marriage of three of her sisters. When I first read this fic I went on a liveblogging spree on my Tumblr, which you can read here in chronological order, but I'm also going to c&p one such post here, which includes a passage from the fic itself:
    “You have impure thoughts about me?” asked Mary. “You would like to–do–sinful things? With me?” Her eyes were very bright and Anne could still taste the memory of her kiss. Anne had to look away, sure the answer to Mary’s question was written all over her face.

    “I am sorry,” said Anne. “Knowing your disinterest I would never consider…”

    “I would be willing,” said Mary. “I had not considered the possibility before, but it solves everything. As your friend, I would be willing to help you resist temptation by lying with you. I have spent some time considering the method, and it does not sound disagreeable.”

    “No,” said Anne, horrified. This was like some strange, shameful dream. “No that is…Mary, that is perverse. How is that any better than me simply taking a lover in the first place?”

    “Because…” Mary frowned in concentration, seriously considering the question. “Because nobody should touch you that way but me,” she said, in a wondering tone, as if it was some great truth that had just been revealed to her. “They will not love you as I do. It would be impure and sordid. With me it would be a pure, transcendental expression of friendship and love.” She sighed happily and lay back on the pillow, closing her eyes. “We would be like Diana and her acolytes, bathing naked together after a hunt,” said Mary. “How agreeable it would be…”

    “Oh my God,” said Anne.

    Outstanding heterosexual Mary Bennet smashed on punch after a ball proposing to Anne de Bourgh that they be the closest of chums and kiss and hug and make love with each other the better to help Anne avoid having inappropriate and sinful relationships with women who are not Mary. What’s better than gals being pals?
    This fic is also extremely disgaybled and I would recommend it especially to people who are queer or disabled or both. Obviously Anne and Mary are in lesbians with each other, but additionally Anne's canonical chronic illness is wonderfully represented and Mary Bennet's canonical preoccupation with morality and propriety is given wonderful dimension and life that pings extremely autistic and/or OCD to me (an, admittedly, autistic and OCD person, lol).

    It is everything I could ever want from a rarepair fic, a Pride and Prejudice fic, a femslash fic, a post-canon fic, a fic that touches on disability and canon typical cultural attitudes towards women, queer people and people in different social classes. It, as I have so often said, has it all.

In the words of Shane Madej and Ryan Bergara: that's the list! I would have loved to have recced some of my favourite vids or podfics, but when I went to my bookmarks to see which ones I revisited most often, these were the three. And I feel they are very deserving of that honour!

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obstinatecondolement: One cat licking another, which is leaning into the touch (Cats)

In your own space, set yourself some goals for the coming year. They can be fannish or not, public or private.
So... I have a very extensive Google Doc with my resolutions for the new year, broken down my category, which lists over 115 individual goals for 2023. Some of them are very personal and I wouldn't be comfortable sharing and including all of the ones I was comfortable sharing would be... um, a long post, lol. But here are my fandom resolutions for 2023:
  • Write one and post 1K word story a month ✅ ✅ ✅ ✅ (✔) ✅ ✅ ✅ (EDIT: 01/09/23 I've managed this every month except May so far, so I'll give myself that as a mulligan and allow myself to count a fic from another month where I posted more than just one 1K words fic for May instead as a one-time thing)✅ ✅ ✅ ✅
  • Participate in Yuletide and write at least one treat in addition to assignment ✅ (✔) (✔) (Edit 03/01/24 I wrote two pinch hits, although I didn't write any treats, so I will call this one a qualified success.)
  • Participate in one non-Yuletide fic exchange ✅
  • Edit and post three fanvids (one [community profile] festivids, one [community profile] vidukon_cardiff, one other) ✅ ❌(Edit: 01/09/23 I didn't get it together for VidUKon this year, but I'll all myself to count this as a success if I post two more vids) ❌ (Edit: 03/01/24 I'm currently still working on my assignment for Festivids, but I didn't complete post any other vids in 2023.)
  • Typeset and bind a fic ✅
  • Record, edit and upload ten podfics (individual chapters count as one) ✅ (⅔) (I recorded some lines for the pod that the podficcer I worked together with for [community profile] pod_together made for the event and I'll let myself count it for two thirds of one pod towards this goal, since I did have to edit the raw audio a little before I sent it off for her to edit into her Audacity project file)✅ ✅ ✅ (⅓) (⅓) (Edit 03/01/24 I recorded lines in two multivoices that I didn't edit when I went to [community profile] europodfriends in October) ✅ ✅ ✅ ✅ ✅
  • Beta at least one fic ✅
  • Leave more comments and kudos (kudos every fic that was enjoyable, comment on at least one out of three fics that were enjoyable). Always leave a short comment on a re-read, don’t forget to kudos if also commenting ❌ (Edit: 03/01/24 Definitely dropped the ball on this one)
  • Update Dreamwidth once a week ❌ (Edit: 01/09/23 Categorically have failed this, lol, but I'll try and get back on the horse and not be too all or nothing about it) (Edit: 03/01/24) Didn't really get back on the horse, I am sorry to say.
  • Look into bringing back [tumblr.com profile] trek-rarepair-swap could be an annual thing for now?) ✅ (Edit 01/09/23 I looked into it with my co-mod and decided it's probably a next year at the earliest thing)
  • Write more image descriptions and at least look through the notes of posts to find if others have written descriptions before reblogging undescribed posts ✅ (Edit: 01/09/23 I've actually been doing really well at this! Obviously it's an ongoing goal rather than a fait accompli that I'm going to give up on now that I've technically cleared the bar of doing more than I was, but it's nice to realise that I've committed to this very consistently)
Some of these are minimums rather than "do exactly this and no more" goals, obviously.

Looking back at these now, some of these seem extremely doable (and, in fact, I have betaed a fic so far this year and signed up to a handful of non-Yuletide exchanges, so well done me! I am also on track with at least four other goals and possibly more?) and others seem very hard. Ten podfics! I certainly was ambitious when I wrote this list in December in some respects. But, you know, sometimes it's good for me when my reach exceeds my grasp. Gives me room to improve the next year.

It feels fitting to be revisiting my resolutions a day after Lunar New Year. Happy year of the rabbit, everyone! It's my sign's year and I'm not going to waste it like I did 2011, lol. Also, I found out the other day, Vietnam celebrates the year of the cat rather than the year of the rabbit! I'm very charmed by this.

Edit: 03/01/24 So, I did better at this than I thought I would, honestly. Particularly with the podfic! Although to be fair, most of that was a third act twist where I recorded and edited five pods for ITPE in late December. It's good to see a baseline for what was easy and what I struggled with.

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obstinatecondolement: A meter similar to a speedometer colour coded from green up to red in various gradations of colour, each with an image of a chili pepper on them. The needle is pointing to the extreme red end of the scale. The caption reads, "Mild auism? Nah, my autism is spicy." Flames appear behind the text (spicy autism)
I used to get very preoccupied with the idea that I was personally responsible for increasing the representation of f/f and f/m fanworks through my output, largely because of moral scrupulosity OCD brain. I don't feel the same way anymore.
That said...However, I do think, "I just coincidentally only ship m/m ships ¯\_(ツ)_/¯" can be a cop out and attempts to explain m/m's overrepresentation in the works posted to AO3 as, "male characters are typically the only ones given the depth and dimension which lends itself to shipping" is, in my opinion, disingenuous when you consider how ready, willing and able fandom is to invent characterisation out of whole cloth for minor male characters and shippable dynamics between male characters, who may never share screentime together or reference each other in dialogue, that just do not exist in the source material. I would like to clarify: I do not think this kind of transformation of the source material is sinister! I just think that since we can do that and we often do do that, we can, as a community, also do it for characters who are not male and ships that are not m/m more often.

I think it's worth thinking about how and why we ship what we ship and if we might have unconscious biases that make us overlook characters who are not men or ships other than m/m ships. Just so I'm not misunderstood, I'm certainly not saying that any individual has to ship things they are not enthused by or that they are obligated to Blorbify characters who do not speak to them. I'm also not saying that individual fans have to meet a quota of different ship categories or that they are personally responsible for increasing the representation of a diverse category of ships on AO3. Additionally, I'm not saying that the answer to the question, "Why do I mostly ship m/m?" is always, "Because I overlook and undervalue characters who are not men." Sometimes it's, "because I am primarily or exclusively attracted to men and ships featuring characters I am not myself attracted to do not interest me" or, "because I mostly read/write explicit fic and explicit fic about women makes me dysphoric" or, "because the kinds of characters I tend to be drawn to are seldom not male" or any number of other perfectly valid reasons. Again, this is a big picture issue, not a problem with individual fans' preferences. Note: the focus of this post is gender, but there are obviously many other forms of diversity that can be represented in fanworks. I took this as my primary focus mainly because the default ship categories make it easier to look at numbers for this particular kind of diverse representation.

[EDIT Jan 22 2023: I think that I could have expressed myself better in the above here. For one, I think that my use of the word "we" implies that I think everyone reading this post is primarily an m/m shipper or someone whose favourite characters are all men, which is obviously not the case. I meant "we" in the sense of "transformative fandom on AO3 collectively" which does disproprortionately favour m/m and male characters. I think I also neglected to say that people should create for and engage with ships and characters that they like! I said that no one is obligated to create for or engage with things they don't like, but that still leaves room for the interpretation that it would be a good thing for them to prioritise increasing representation at the expense of having fun anyway even if they chose not to do it. That's not at all what I want! I think that we could all be having even more fun, basically, and that people who primarily or exclusively like m/m ships and male characters are potentially missing out on fun that they could be having. Also, that people who like ships involving characters who are not men or fans of non-male characters are potentially missing out on friends, community and fanworks that they could have if transformative fandom as a whole was less weighted towards m/m ships and male characters.]

So you said something about a self audit? What do you mean by that? )

A final note: I in no way would expect anyone to examine their fannish output in this level of detail I have here, or at all, and I don't think that I'm being morally virtuous by doing so myself. I'm just really fascinated by data and this kind of thing is interesting and fun for me. Also, to reiterate, shipping is not activism and your fannish output is not necessarily a reflection of your politics or values. While I would personally like to diversify my output in the future, and I think that as a community transformative fandom would be better served by a more diverse offering of fanworks, I don't think that anyone is bad or wrong for liking what they like.
obstinatecondolement: Bertie Wooster from Jeeves and Wooster shown from the neck up, submerged in a bath with a content look on his face. A rubber duck is in the foreground of the image, floating on the bathwater (duckie)
Decided to give the Fannish Fifty challenge a try this year! I have often attempted to log on to DW once a week, but actually having a goal re: types of posts might help with maintaning that.

EDIT 08/01/23: I've gone back and retroactively tagged the three posts I could most justify describing as fannish contributions from 2023 so far: my list of fic posted or updated in 2022, my KK/CK primer and my post about why Kumiko should have been Daniel's wife in Cobra Kai.

Intro Post

Jan. 22nd, 2022 06:13 pm
obstinatecondolement: Deanna Troi from Star Trek: The Next Generation shown from the shoulders up, standing in front of a painting of a planet (Default)

[Updated Jan 2 2024]

I'm Art! My pronouns are they/them or he/him.

This got long, haha

As well as being [personal profile] obstinatecondolement here, I am also [tumblr.com profile] obstinatecondolement on Tumblr, obstinatecondolement on vidders.net (which I really must post some of my vids to!), obstinatecondolement on Vimeo (most of my videos are password protected, but they are all posted with the passwords on AO3), and (you guessed it) obstinatecondolement on my much neglected Pillowfort.

In terms of my other fannish pseudonyms, I'm [archiveofourown.org profile] SweetPollyOliver on AO3; [twitter.com profile] unmanlygrief on Twitter (Edit Jan 2023: but, uh, given current events, watch this space? Edit Jan 2024: Still there for now, but I probably would have deleted if I didn't want to do ITPE and since I do not think that will be on the-platform-formerly-known-as-Twitter in 2024, it's not unlikely that I won't be there much longer either, but I have made such threats before and not followed through on them), and I am also unmanlygrief on Discord.

Feel free to add me or PM/DM me on any of these platforms, or email me at obstinatecondolement@vidding.com if you'd like to get in touch that way.

Let's talk fandoms! I am an evergreen Star Trek fan, despite beyind disgracefully behind on most of the newer iterations of canon bar Lower Decks, and I was very monofannishly creating things for The Karate Kid and/or Cobra Kai for a good while, but I have started branching out again in the past few years. I am still a big TKK/CK fan (Cobra Kai never dies!) and mean to write some stuff on my to-do list, but I am not as intense with it as I was and other things have drifted in and out of my number one spot in the mean time.

Most recently, I've fallen very hard for the CBS Ghosts show, I had a very intense love affair with Succession that may be heating up again, I was massively invested in S1 of OFMD and slightly disappointed with S2 (although not as devastated as some were), I love Only Murders in the Building and am chipping away at some Mabel/Theo fic that has not yet seen the light of day, and I pretty recently reignited my younger self's love of the 1970s sitcom Porridge. I am a lifelong Discworld fan, but I only started writing fic in the fandom in 2023. As of now I have a handful of Discworld fics and podfics on my AO3 account that I hope to keeping adding to on and off.

Other things that are less to the forefront, but are still very much bubblings away in the background: I love Quantum Leap, both old and new, and am even now still rending my garments in lamentation over the Willow tv show and A League of Their Own (2022) being cancelled. And, honestly, I have lots of other fandoms, past and present, and there are a few that I often request for exchanges and am not usually "active" in otherwise.

The ways I participate in fandom are larely writing fic, but I am a bit of a fanwork dilettante and have also dipped my toes into vidding, podfic, fanbinding, writing meta (or jokey-joke posts, depending on how serious I am being at the time), making character/ship fanmixes, and putting together the occasional graphic (mostly podfic covers at the moment). I also have made a few fancrafts over the years! Mostly crochet dolls of Star Trek characters, like these ones. I have also betaed fic for other people and I would like to do that more often.

My transformative works policy can be found on my AO3 profile, but TL;DR, I give blanket permission for non-commercial transformative works of my fanworks.

Other things I do/have done in fandom are volunteering with the OTW as a tag wrangler and modding a few fandom events. I modded [tumblr.com profile] allvalley100, a weekly Cobra Kai/Karate Kid drabble challenge, with [tumblr.com profile] trinityofone from 2021–2023, I previously modded [tumblr.com profile] trek-rarepair-swap, a (first monthly, then quarterly) exchange where people created fanworks for each other's rare (which we defined as <50 works on AO3) Star Trek ships, with [tumblr.com profile] cosmic-llin between 2016 and 2020 and we have plans to revive it at some point when we have the time, and I will be starting a new podfic challenge called [community profile] tidepodchallenge in January 2024 where participants receive bingo cards with prompts and then fill them by making podfics of Yuletide works written by authors who give permission for podfics of their work. If you are a fan of podic, please follow the comm and, if you are a podficcer youself, consider signing up once I get the ball rolling on that in the next few weeks!

Non-fandom things to know about me are that I am bisexual, disabled, transmasc, a leftist, I love fibre arts and textiles (crochet, knitting, weaving, spinning, dyeing, sewing), I sing, I am (slowly) learning the cello, I love spreadsheets and planners (I am the most disorganised orderly person you will ever meet), I live with (most of) my siblings and parents, and, as well partial custody of the family pets (dogs, chickens, another cat), I have two very spoiled cats of my own.

I tend to go through phrases of being more and less active on Dreamwidth, but what I mostly post about here is just various things that are going on with me in real life, stuff about my hobbies, goals that I'm working on or thinking about setting, etc. I very occasionally post links to fanworks, but I will try to keep more up to date with that going forward, as I have found DW fandom to be very rewarding when I do go to the effort of being more active in it. This is also where I tend to post my exchange letters, so you will probably at least hear from me once a year when I sign up to Yuletide. Most of my more personal, non-fandom entries are access-only, but I'm very liberal about granting access, so don't feel shy about asking!

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obstinatecondolement: Deanna Troi from Star Trek: The Next Generation shown from the shoulders up, standing in front of a painting of a planet (Default)
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October 2024

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